Aleksandr Abramov, Sergei Abramov. Horsemen from Nowhere
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Translated from the Russian by George Yankovsky
áÌÅËÓÁÎÄÒ áÂÒÁÍÏ×, óÅÒÇÅÊ áÂÒÁÍÏ× "÷óáäîéëé îéïôëõäá"
MIR PUBLISHERS Moscow 1969
OCR: http://home.freeuk.com/russica2
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"Horsemen From Nowhere" is a science-fiction story about the arrival on
earth of mysterious rose-coloured "clouds" from deep space. Members of the
Soviet Antarctic expedition are the first to meet them in a series of
inexplicable events. The "clouds" are seen to be removing the Antarctic
ice-cap and carrying it off into space. They are capable of reproducing any
kind of atomic structure, and this goes for human beings as well. The heroes
of the story meet their "counterparts", come upon a duplicated airliner,
journey through a modelled city, and fight Gestapo policemen that have been
reconstructed from the past by these same mysterious "clouds". Scientists
are not able to explain why terrestrial life is being modelled. All attempts
to contact the space beings fail. In the end, however, Soviet scientists
penetrate the enigma of the rose clouds and establish contact with a highly
developed extragalactic civilization.
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* PART ONE. THE ROSE CLOUD
The snow was fluffy and soft, not at all the compacted, sand-paper-like
crystalline neve of the polar wastes. The Antarctic summer was mild, and the
gay frost that tweaked the ears ever so slightly created an atmosphere of
Sunday hiking back home in Moscow. Our thirty-five-ton snow tractor was
gliding along at a marvellous clip, but in winter even the airplane skis
could hardly tear away from the supercooled ice crystals. Vano was a skilled
driver and didn't bother to put the brakes on even in the case of suspicious
humps and bumps of ice.
"Take it easy, there, Vano," Zernov shouted from the navigator's cabin
adjacent to the driver. "There might be crevasses."
"Where do you see cracks?" was Vano's mistrustful response, as he
peered through dark glasses into the stream of blindingly brilliant light
that flooded the cabin through the front window. "This isn't a road, this is
a highway, the Rustaveli Boulevard in Tbilisi. You can take it from me,
that's definite. Really, I mean it."
I climbed out of the radio-room and pulled down the retracted seat next
to Vano. For some reason, I turned round to look at the desk in the salon
where Tolya Dyachuk was doing some meteorological work. I shouldn't have.
"We are now witnessing the birth of a new kind of chauffeur," said
Tolya with a disgusting giggle. And since I disdained to reply, he added:
"Vanity is killing you, Yura. Aren't two specialities enough for you?"
Each of us in the expedition combined two, sometimes three,
professions. Zernov, for example, was the glaciologist, but he could handle
the work of geophysicist or seismologist as well. Tolya Dyachuk combined the
duties of meteorologist, doctor and cook. Vano was the mechanic and driver
of the huge tractor specially designed for work in polar regions; what is
more, he could repair anything from a broken tractor tread to a
temperamental electric hotplate. I was in charge of photography, movies and
also the radio. What attracted me to Vano was not any desire to increase my
range of specialities but his own love for this gigantic Kharkov tractor
vehicle.
When I first saw it from the airplane as we were landing, it appeared
to me like a red dragon from a fairy tale; but close up, with its metre-wide
tractor tread jutting out and its enormous square eyes-windows-gave the
impression of a creature from another world. I had driven motor cars and
heavy lorries and, with Vano's permission, had tried the tractor on the icy
land floe near Mirny, but yesterday was windy and sombre-I didn't risk it.
But today was crystal clear.
"Let me take a try, Vano," I said, and didn't allow myself to look
back. "Just for half an hour."
Vano was getting up when Zernov shouted:
"Come on now, no experiments in driving. You, Chokheli, are responsible
for the running condition of the machine. You, Anokhin, put on your
goggles."
There was nothing to do but comply. Zernov was chief and he was
demanding and unyielding. Of course it was definitely dangerous without
goggles to look into the myriads of scintillations produced by a cold sun on
sheets of snow. Only near the horizon did it darken somewhat as the plateau
merged with the smeared-out ultramarine of the sky. Nearby even the air
sparkled white.
"Look over there to the left, Anokhin," Zernov continued. "The side
window gives a better view. Nothing unusual?"
What I saw off to the left, at a distance of about fifty metres, was an
absolutely vertical wall of ice. It was higher than any buildings I knew of.
Even the New York skyscrapers would hardly have come up to its top fluffy
edge. Brilliantly shining with all colours of the rainbow, it was like a
ribbon of diamond dust. It was darker at the bottom where layers of packed
snow had already frozen into a darkish hard neve. Lower still, there was a
break in the enormous thickness of ice, as if a gargantuan knife had sliced
through it. Here it was bluish in the sunlight, like the sky reflected in a
giant mirror. At the very bottom, however, the wind had built up a long
two-metre high snowdrift-a nice fluffy fringe to match the same one way up
at the top of the wall of ice. The wall extended on and on without end,
tapering off in the distant snowy reaches of space. Only the mighty giants
of fairy tales could, it seemed, have erected it here in this icy fastness
to protect no one knew what from no one knew whom-a fortress of ice. Of
course, ice in the Antarctic-no matter what its shapes and forms-could
hardly impress anyone. Which is just what I said to Zernov, for 1 couldn't
see what was so attractive to the glaciologist.
"A plateau of ice, Boris Arkadievich. Perhaps a shelf glacier?"
"Old timer," Zernov said ironically, hinting at my second trip to the
South Pole. "Do you know what a shelf is? You don't? A shelf is a
continental bar. A shelf glacier slides down into the ocean. Now this is not
a glacial precipice and we are not in the ocean." He was silent for a moment
and then added thoughtfully. "Please, stop, Vano. Let's take a closer look.
This is an interesting phenomenon. Put something on, boys, it's no place for
light sweaters."
Close up, the wall was still more beautiful. An unbelievably blue bar,
a chunk of frozen sky cut off near the horizon. Zernov was silent. Either
the magnificence of the spectacle awed him, or its inexplicability. He
peered for the longest time into the snowy line at the topmost fringe of the
wall, and then for some reason looked down at his feet, stamped the snow,
then kicked it about. We watched him but could not figure it out.
"Just look at this snow we are standing on," he said suddenly.
We stamped the snow a bit like he had done, and found a solid sheet of
ice below the thin layer of snow.
"A real skating rink," said Dyachuk. "An ideal plane, probably Euclid
himself helped to make it."
But Zernov was serious.
He continued thoughtfully, "We are standing on ice. There is not more
than two centimetres of snow. Now look at the wall. Metres thick. Why? The
climate here is the same, the same winds, the same conditions for
accumulation of snow. Anyone got any bright ideas?"
Nobody answered. Zernov continued thinking aloud.
"The structure of the ice is apparently the same. The surface too. I
get the impression of an artificial cut. And if. you brush off the
centimetre-thick layer of snow under foot, we get the same artificial cut.
Now that doesn't make sense at all."
"Everything is nonsense in the realm of the snow queen," I put in for
what it was worth.
"Why queen and not king?" Vano queried.
"You explain it to him, Tolya," I said, "you're the map specialist.
We've got Queen Mary Land, Queen Maud Land, and then in the other direction
Queen Victoria Land." "Simply Victoria," Tolya added correcting me.
"Listen, you erudite of Weather Forecasts, she was the Queen of
England. Incidentally, in this same field of forecasting, wasn't it here on
this wall that the snow queen played with Caius? And wasn't it here that he
cut his cubes and fashioned them into the word 'eternity'?"
Dyachuk grew cautious, ready for a trap.
"Hey, who's this Caius guy?"
"Oh, for heaven's sake," I sighed, "why didn't Hans Christian Andersen
deal in weather forecasts? Do you know the difference between you and him?
The colour of the blood. His is blue."
"The octopus has blue blood if you want to know."
Zernov was not listening.
"Are we roughly in the same region?" he asked suddenly.
"What region, Boris Arkadievich?"
"Where the Americans observed those clouds."
"No, quite a bit to the west," put in Dyachuk. "I've checked by the
map."
"I said 'roughly'. Clouds usually move, you know."
"Ducks too," wisecracked Tolya.
"You don't believe me, Dyachuk?"
"Of course not. It isn't even funny: clouds that are neither cumulus
nor cirrus. Actually, there aren't any at all right now." He looked up at
the open sky. "Perhaps orographic. They're lens-like in shape with an extra
layer on top.
And rose-coloured due to the sunlight. But these are dense, a greasy
rose colour and something like raspberry jelly. A lot lower than cumulus
clouds, not exactly bags blown up by the wind, but something in the nature
of uncontrolled dirigibles. Nonsense!"
These were obviously the mysterious rose-coloured clouds that the
Americans at MacMur-do had radioed about. Clouds like rose dirigibles had
passed over the island of Ross, were seen on Adelie Land and in the vicinity
of the shelf glacier Shackleton, and an American pilot was reported to have
collided with them some three hundred kilometres from Mirny. Kolya Samoilov
received the radiogram that the American radio operator sent out: "I saw
them myself, the devil take them. Racing along just like a Disney film."
At Mirny, on the whole, the men were very sceptical about the rose
clouds and only a few took the thing seriously. George Bruk, chief merry
maker, kept at the phlegmatic old-timer seismologist:
"Now you've surely heard of the flying saucers, haven't you?"
"Suppose I have."
"And about the banquet at MacMurdo?"
"So what?"
"Did you see the 'Life' reporter off to New York?"
"What are you getting at, anyway?"
"Well, rose-coloured ducks went along with him and all the sensational
news too."
"Lay off, will you. You're getting to be a pain you know where."
George lay off with a smirk and set out for some other victim. He
passed me up, considering perhaps that the chances of success were small. I
was having lunch with glaciologist Zernov, who was only eight years my
senior but was already a professor. Really, no matter how you look at it, to
be a full doctor of science at thirty-six is something to envy, though these
sciences did not seem so important to me-I'm closer to the humanities. I
didn't believe they could mean so much to human progress. And I said as much
to Zernov on one occasion.
His answer was: "You probably don't know how much snow and ice there is
on the earth. Take the Antarctic alone: the ice cap here in winter covers up
to twenty-two million square kilometres; add to that 11 million in the
Arctic, then Greenland, and the coast of the Arctic Ocean. Then put in all
the snow-topped peaks and glaciers, not counting all the rivers that freeze
over in winter. How much will that come to? About one third of the land area
of the globe. The continent of ice is twice that of Africa. Which is not so
insignificant when it comes to human progress."
I swallowed all that ice and any condescending desire to learn anything
during my stay here in Antarctica. But after that, Zernov took a kindly
attitude towards me and on the day of the report of "rose clouds", at lunch,
he invited me on a trip into the interior of the continent.
"Oh, a distance of three hundred kilometres or so," he added.
"What for?"
"We'd like to make a check on the American phenomenon. It's a highly
unlikely thing; that's what everyone thinks. But still it's something to
look into. For you in particular. You will use coloured film since the
clouds are rose-coloured."
"That's nothing at all," I put in. "The most ordinary kind of optical
effect."
"I don't know. I wouldn't want to refute it outright. The report states
that the colour appears to be independent of any illumination. True, we
could presume an admixture of some aero-sole of terrestrial origin or, say,
meteoritic dust from outer space. If you want to know, my interest lies
elsewhere. "
"And what's that?"
"The state of the ice in that area."
I didn't ask why at the time, but I recalled the matter when Zernov was
thinking out loud near the mysterious wall of ice. He was obviously
connecting the two phenomena.
In the tractor I moved up to Dyachuk's work desk.
"It's a puzzling wall and a definitely strange cut," I mused. "How did
they do it, with a saw of some kind? But then where do the clouds come in?"
"Why do you insist on linking them up?" Tolya asked in surprise.
"It's not me, it's Zernov. Why did he recall the clouds when he was
quite definitely thinking about the glacier?"
"You're just making things more complicated. The glacier is unusual, to
say the least, but what has that to do with the clouds? The glacier doesn't
generate them."
"But suppose it does."
"There is no suppose to it. Give me a hand here with the breakfast, if
you have nothing better to do. What do you think, omelette out of egg powder
or one of these tins?"
I didn't have time to answer. Something struck us with a terrible blow
and we tumbled to the floor. "Are we really flying? From the mountain or
into a crevasse?" was all I could think. That very second a terrific blow
from the front struck the tractor and threw it backwards. I was tossed to
the opposite wall. Something cold and heavy banged against my head, and I
went out cold.
I came to, but in a way I did not regain consciousness because I
continued to lie there without moving and with not even enough strength to
open my eyes. Consciousness crept back slowly, or was it a sort of
subconsciousness? Vague feelings, hazy sensations took hold of me, and my
thoughts-which were just as indeterminate and nebulous-attempted to define
them. I was weightless, and I appeared to be floating or sailing or hanging
not even in the air but in empty space, in a kind of colourless tepid
colloidal solution, thick and yet imperceptible at the same time. It
penetrated into my pores, my eyes and mouth and filled my stomach and lungs,
washing through my blood, or perhaps even took its place and began to course
through my body. A strange impression grasped me-that something invisible
was peering intently at and through me, investigating with concentrated
curiosity every blood vessel, every nerve fibre, down to the very cells of
my brain. I did not experience either fear or pain, I slept and didn't, and
dreamt incoherently and formlessly, yet at the same time I was positive that
this was no dream at all.
When I finally regained consciousness, everything about me was just as
bright and quiet as usual. I opened my eyes with great difficulty and with a
sharp piercing pain in my temples. Right in front of me I saw a smooth,
reddish tree-trunk tower upwards. Was this a Eucalyptus tree or a palm tree?
Or perhaps a pine whose top I could not see. I could not turn my head. My
hand hit upon something hard and cold, a stone perhaps. I pushed it and it
rolled into the grass soundlessly. My eyes sought the green grass of the
Moscow Zoo, but the colour was ochre instead. And from above, from the
window or from the sky, came a brilliant stream of white light that
suggested both a limitless expanse of snowy wastes and the blue brilliance
of a wall of ice. Everything became clear at once.
Overcoming the pain, I got to my feet and then sat down to survey my
surroundings. I recognized things now: the brownish lawn was simply the
linoleum and the reddish pole was the foot of the table, and the stone that
I pushed was my camera. It had probably hit me on the head when the vehicle
plunged downwards. Where was Dyachuk? I called him, but no answer came.
Zernov did not respond, neither did Chokheli. The silence was more complete
than that of a room in which you are working and where you can hear all
kinds of sounds-the dropping of water, the squeaking of the floor, the
tick-tock of a clock or the buzzing of a fly-this was a total silence where
only my own voice could be heard. I brought my wrist-watch to my ear-it was
going. And the time was twenty minutes after twelve.
With great effort I rose to my feet and, holding onto the wall, found
my way to the navigator's seat. It was empty, even the gloves and binoculars
had vanished from the desk and Zernov's fur jacket was not thrown over the
back of the chair. Zernov's log book was absent. Vano had likewise
disappeared together with mittens and jacket. I looked through the front
window; the outside glass was bent inwards. Beyond I could see smooth
diamond-like snow, as if there had not been any accident at all.
But my memory persisted and the headache I had was definitely real. In
the mirror I could see caked blood on my forehead. I probed around a bit and
found that the bone was all right, only the skin had been cut by the edge of
the camera. This meant that something had indeed taken place. Maybe
everybody was nearby in the snow? I looked in the drying room for the sky
clamps: there were no skis. Also absent were the duraluminum emergency
sleighs. All the jackets and caps, except mine, had vanished. I opened the
door and jumped down onto the ice. It was bluish and bright under the slight
layer of fluffy snow that the wind was blowing every which way. Zernov was
right when he spoke of the mysteriously thin layer of snow in the deep
interior of the polar continent.
Of a sudden, everything became clear. Right next to our "Kharkovchanka"
vehicle was another one, big and red and all covered with snow. It had
obviously caught up with us from Mirny or was on its way to Mirny. And it
had helped us out of our trouble. That was it. Our tractor had fallen into a
crevasse: about ten metres from here I could see the tracks going downwards,
then the dark opening of a well with a firn-like crust covering the crack.
The boys from the other tractor had probably seen our fall, which most
likely had been a lucky one in which we had got caught in the mouth of the
fissure, and had pulled us and the machine out.
"Hello, there, anybody in the. tractor?" I yelled and went around the
front end.
There was not a single face in any one of the four windows and no voice
at all. I began to study the other machine and found that our sister vehicle
had exactly the same bent-in glass in the front window. Then I looked at the
left-hand tread. Our machine had a clear-cut mark: one of the steel cleats
had been welded on and therefore differed definitely from the others. Now
this tread had the same tell-tale mark. These were no twins from the same
factory but duplicates that repeated every single detail. Opening the door
of the other machine, the duplicate, I trembled fearing the worst.
True enough. The entrance passage was empty, no skis, no sleighs, only
my fur jacket hanging on the hook. My jacket, that was it: torn and with
sewn-up left-hand sleeve, the fur worn off the cuffs and two dark oily spots
on the shoulder-I had once picked it up with oily fingers. I entered the
cabin in haste and fell against the wall so as not to collapse, for my heart
was about to stop.
On the floor, near the table, in a brown shirt and padded trousers,
with face against the leg of the table and dried up blood on the forehead
and one hand holding onto the camera was ME.
Was this a dream? I had not yet awakened? I was looking at myself by a
second vision? I pinched the skin on my hand. It hurt. It was clear that I
was awake and not sleeping. Well, then I must have gone crazy. But from
books I had read I knew that mad people never realize they have gone mad.
Then what is this all about? Hallucinations? A mirage? I touched the wall;
it was real enough. That meant that I myself was not an apparition, a
phantom lying consciousless at my own feet. Sheer madness. I recalled the
words of the mysterious snow maiden. Then maybe, after all, there is a snow
maiden, and miracles do happen, and phantom duplicates of people, and
science is simply nonsense and self-consolation.
What was there to do? Should I run to the duplicate tractor and wait to
go out of my mind completely? Then I recalled the dictum that if what you
see contradicts the laws of nature, then you are to blame, you err and not
nature. My fear disappeared, only confusion and anger remained. I even gave
the lying man a kick. He moaned and opened his eyes. Then he rose on his
elbow just as I had done and looked around with a dull gaze.
"Where is everybody?" he asked.
I did not recognize the voice-perhaps mine in a tape-recording. But he
was really me, this phantom, if he thought exactly the way I had when I
regained consciousness!
"Where are they?" he repeated and then yelled "Tolya! Dyachuk!" No
response. It had been the same with me.
"What's happened?" he asked.
"I don't know," I answered.
"It seemed to me that the machine fell into a crevasse, and we must
have been knocked about against some wall of ice. I fell... and then...
everything fell. Or did it?"
He did not recognize me.
"Vano!" he cried, rising.
Then silence again. Everything that had occurred fifteen minutes ago
was strangely being repeated. Reeling, he reached the navigator's room and
touched the empty seat of the driver, then he went into the drying room,
found-like I had-that there were no skis or sleighs and then remembered me
and returned.
"Where are you from?" he asked peering at me more intently and suddenly
leapt back covering his face with his hand. "This can't be! What's
happening? Am I asleep?"
"That's exactly what I said... at first," I answered. I was no longer
afraid.
He sat down on the porolone settee.
"Please excuse me, but you look exactly like me, in the mirror. Are you
a spectre?"
"No, you can touch me and find out."
"But then who are you?"
"I'm Yuri Anokhin, the cameraman and radio operator of the expedition,"
I said firmly.
He jumped up.
"No, I am Yuri Anokhin, the cameraman and radio operator of the
expedition," he cried out and sat down again.
Now both of us were silent, examining one another; one was calmer, for
he knew a little bit more and had seen more; the other with a glint of
madness in his eyes, repeating, perhaps, all my thoughts-those that had come
to mind when I had first seen him. Yes, there were two men in this cabin
breathing in the same heavy rhythm- two identical human beings.
Chapter III. THE ROSE CLOUD
How long this lasted I do not know. Finally he spoke up.
"I don't understand anything."
"Me too."
"A man cannot split into two men."
"That's exactly what I figured."
He gave some thought to that.
"Maybe there is a snow maiden after all?"
"You're repeating," I said. "I have already thought about that. And
that science is nonsense and self-consolation."
He smiled slightly embarrassed, as if rebuked by his senior. Actually,
I was his senior. But then he corrected himself immediately:
"That's a joke. This is some kind of physical and psychic
mystification. What kind exactly, I cannot make out yet. But there is an
illusion.
There is something not real. You know what?
Let's go see Zernov."
He understood me almost without speaking- he was my reflection. And our
thoughts ran to the same thing: did our microscope survive the shock? It
had, it turned out, and was in its place in the cabinet. The slides were
also intact. My duplicate (or counterpart) took them out of the box. We
compared our hands: even the corns and handnails were the same.
"We'll check and see," I said.
Each one of us pricked his finger and smeared the blood on the slides;
then took turns looking through the microscope. The blood was identical in
both cases.
"The same material," he said with a smirk, "a copy."
"You're the copy."
"No, you are."
"Wait a minute," I stopped him, "Who invited you to go on this
expedition?"
"Why, Zernov, of course."
"And what was the purpose?"
"You're just asking so that you can later repeat the same thing."
"No, not at all. I can tell you. Because of the rose-coloured clouds,
isn't that so?"
He squinted, recalling something, and then asked cunningly:
"What school did you finish?"
"Institute, not school."
"No, I'm asking about school. The number. What number was it, have you
forgotten?"
"You're the one who has forgotten. I finished School No. 709."
"Well, okey. But who sat next to you on the left?"
"Now, listen. Why are you examining me?"
"Just a check up, that's all. You might have forgotten Lena, you see.
Incidentally, she got married shortly afterwards."
"Yes, she married Fibikh," I said.
He sighed.
"Your life coincides with mine."
"Still, I'm convinced that you are the copy, a spectre and a bit of
witchcraft." I wound up getting angrier all the time. "Who was first to wake
up? I was. And who first saw two tractors? Me again."
"Why two?" he asked suddenly.
That's when I began to laugh triumphantly. My priority was now complete
and confirmed.
"For the simple reason that there is another one alongside it. The real
one. Take a look."
He pressed against the side window and, perplexed, looked at me. Then
without a word he put on a copy of my jacket and went out onto the ice. The
identically welded piece of tread and the identically bent glass of the
window made him frown. Cautiously, he looked into the entrance way, went on
into the navigator's room and then returned to the table with my camera. He
even examined it.
"A real sister," he said gloomily.
"As you see, she and I were born a bit earlier."
"All you did was wake up earlier," he added frowning, "and no one knows
which one of us is the real one. Actually, I do know."
"Suppose he's right, after all?" I thought to myself. "Just suppose the
duplicate and phantom are not he at all, but me? After all, who can
determine a thing like that if our fingernails have the same markings and
our schoolmates are the same? Even our thoughts are duplicated, even
feelings if the stimuli from without are the same."
We looked at each other as if into a mirror. Just imagine a thing like
that happening!
"You know what I'm thinking about right now?" he said suddenly.
"Yes, I do," I answered. "Let's see."
I knew what he was thinking, because I was thinking about the very same
thing. If there are two tractors on the ice and it is not known which of
them fell into the crack in the ice, then why are the same windows in both
broken? And if both of them fell through, how did they get out?
We stopped our conversation and both ran to the opening in the ice
crust. We stretched out on the ice and crawled right up to the edge of the
precipice, and then all was clear. Only one of the machines had fallen in
because there was only one set of tracks. It had got caught about three
metres from the edge of the precipice, between the two walls that came close
together at this point. We could also see little steps made in the ice
probably by Vano or Zernov, depending on who succeeded first in getting to
the surface. This obviously meant that the second "Kharkovchanka" machine
appeared already after the fall of the first. But then who pulled the first
one out? It couldn't get out of the crevice by itself definitely.
I took another glance into the precipice. It was black, deep, menacing
and bottomless. I picked up a piece of ice that had broken off the edge-
probably a chunk knocked out by the hack used to cut the steps-and tossed it
down. It straightway vanished from view but I did not hear any sound of its
hitting something. Then an idea flashed through my mind: maybe give this
fellow-duplicate of mine a push? Run up to him and trip him into the
precipice?...
"Don't think you'll be able to do it," he said.
I was dumbfounded at first and only later caught on.
"You were thinking of the same thing?" "Of course."
"Let's fight, then. Perhaps one of us will kill the other."
"And suppose both are killed?" We stood opposite one another, angry,
all keyed up, throwing absolutely identical shadows on the snow. Then
suddenly all this struck us both as being funny.
"This is a farce," I said. "We'll get back to Moscow and they'll show
us around in a circus. Two-Anokhin-Two."
"Why a circus? In the Academy of Sciences. A new phenomenon, something
like the rose clouds."
"Which don't exist." "Take a look." He pointed to the sky. In the hazy
blue in the distance billowed a rose-coloured cloud. All alone, no
companions, no satellites, just like a spot of wine on a white tablecloth.
It floated very slowly and low, much below storm clouds, and did not at all
look like a cloud. I would sooner have compared it to a dirigible. It even
resembled more a piece of dark rose-coloured dough rolled out on the table
or a large kite floating lazily in the sky. Jerking along, pulsating, it
moved sideways to the earth as if alive.
"A jellyfish," my counterpart said, repeating my own thoughts on the
subject, "a live rose jellyfish. Without tentacles."
"Quit repeating my nonsense. That's a substance and not a creature."
"You think so?"
"Just the way you do. Take a better look."
"But why does it jerk so?"
"It's billowing because it's a gas or water vapour. Perhaps dust, on
the other hand," I added not very sure of myself.
The crimson kite came to halt right overhead and began to descend. It
was some five hundred metres distance from us, hardly more. The shimmering
edges of it turned downwards and grew dark. The kite was turning into a
bell.
"Oh, what a nut!" I exclaimed remembering my camera. "This is just what
ought to be photographed!"
I rushed to my "Kharkovchanka" vehicle, checked to see that the camera
was in working order and the colour-film spool in place. All that took but a
minute. I began to shoot right through the open door, and jumping down onto
the ice I ran around the two machines and found another angle for some more
shots. Only then did I notice that my alter ego stood without camera and was
watching my movements in a detached, lost sort of fashion.
"Why aren't you taking pictures?" I yelled without taking my eye off
the viewfinder.
He did not answer at once and when he did it was strangely slow.
"I dooon't know. Something is-is-is bothering me."
"What's all this about?"
".. .don't know."
I looked intently at him and even forgot about the threat from the sky.
This finally was a real difference! We weren't, after all, so completely the
same. He was experiencing something I did not feel. Something was hampering
his movements, yet I was free. Without thinking twice I snapped him and the
duplicate tractor as well. For an instant I even forgot about the rose cloud
but he reminded me.
"It's diving."
The crimson bell was no longer slowly descending, it was falling,
plunging downwards. I instinctively jumped to the side.
"Run," I cried.
My new twin finally moved a bit, but he did not run. Very strangely, he
walked backwards to his own vehicle.
"Where are you going? Are you crazy?"
The bell enveloped him and he did not even answer. I again looked into
the viewfinder and hurried to take these important shots. Fear had even left
me because what I was photographing now was something truly nonterrestrial.
No cameraman had ever taken pictures like these before.
The cloud grew smaller in size and darker still. Now it was like an
upturned saucer for an enormous tropical plant. It was no more than six to
seven metres from the ground.
"Look out!" I cried.
I had suddenly forgotten that he too was a phenomenon and not a living
being, and in one gigantic unimaginable effort I jumped to his aid. I
couldn't have helped him anyway, it turned out, but the jump cut the
distance between us by one half. In one more jump I might have caught him.
But something intervened and would not let me; it even sent me reeling
backwards, as if by a shock wave or a gust of hurricane wind. I nearly fell,
but still held on to my camera. The giant flower had already reached the
earth and its purple-red petals, pulsating in a wild fashion, covered over
both duplicates, the vehicle and me. Another second and they touched the
snow-covered ice. Now, alongside my tractor towered a mysterious crimson
hill. It appeared to steam and boil and bubble, and was all shrouded in the
rippling colours of a crimson-like haze. Golden sparks scintillated as if
flashes of electric discharges. I continued to take pictures, all the while
attempting to get as close as possible. Another step, yet another, . .. and
my feet grew heavy, still heavier as if tied to the icefield. An invisible
magnet in them drew me down, as it were -not a step more. And I stopped.
The hillock became just the slightest bit brighter, the dull dark red
brightened to a crimson and then it all shot straight upwards. The upturned
saucer expanded, its rosy edges slowly turned upwards. The bell was again
transformed into a kite, a rose-coloured cloud, a blob of gas billowing in
the wind. It did not pick anything up from the earth, no condensations or
nebulous formations were at all noticeable in its interior.
But down below stood my "Kharkovchanka" on the icefield, all alone. Its
mysterious double had vanished instantaneously, just as it had appeared.
Only the snow revealed traces of the wide treads, but the wind blew and they
were soon covered over with an even coat of fluffy snow. The "cloud" too
disappeared somewhere beyond the edge of the wall of ice. I looked at my
watch. Thirty-three minutes had passed since, on coming to my senses, I had
checked the time.
I experienced an unusual feeling of relief from the knowledge that
something terrible indeed, something totally unexplainable had gone out of
my life. More terrible actually because I had already begun to get used to
the inexplicability, as a mad man gets used to his madness. The delirium
evaporated together with the rose gas, the invisible barrier also vanished
that did not allow me to approach my duplicate. Now I was able to go up to
my machine and I sat down on the iron step. I did not stop to think that I
would freeze to the metal as the temperature continued to drop. Now nothing
concerned me except the thought of accounting in some way for that half hour
of nightmare. For the second time, the third time and the tenth time I
dropped my head to my hands and asked aloud:
"What actually did take place after the accident?"
Chapter IV. BEING OR SUBSTANCE?
The answer was:
"The most important thing is that you are alive, Anokhin. Really, I
feared for the worst."
I raised my head-in front of me stood Zernov and Tolya. Zernov did the
questioning, while Tolya stamped his skis and knocked the snow about with
his sticks. Stout and shaggy with a soft down of hair on his face instead of
our unshaven bristles, he seemed to have lost his sceptical mockery and
looked with boyish eyes all excited and happy.
"Where did you people come from?" I asked.
I was so tired and worn out that I didn't even have strength enough to
smile.
"Oh, right nearby," Tolya chirped, "a couple of kilometres at the most.
We've got a tent there, too."
"Wait a minute, Dyachuk," Zernov put in, "there's time for that. How do
you feel, Anokhin? How did you get out? How long ago?"
"So many questions," I said. My tongue was as unruly as that of a
drunkard. "Let's start in some order, from the end, say. How long ago did I
get out? I don't know. How? Don't know again. How do I feel? More or less
normal, as far as I can make out. No fractures, no bumps." "Your morale?"
Finally I smiled, but it came out rather grim and insincere because
Zernov immediately asked again:
"Do you really think that we simply left you in the lurch?"
"No, not for a minute," I said, "but a series of bizarre events took
place that I can't account for."
"That I see," Zernov said looking over our ill-fated vehicle. "A tough
machine it turned out to be. Just bent in a few spots. Who was it that
pulled you out?"
I shrugged.
"There are no volcanoes here. No pressure from below to eject you. So
somebody must have done the job."
"I don't know what happened," I said. "I just found myself on the
plateau here."
"Boris Arkadievich!" Tolya cried. "There's only one machine. The other
one must have simply left. That's what I said, a Sno-Cat or a tractor. They
did it with steel cables, that's all."
"Pulled it out and left," said Zernov doubtfully. "And left Anokhin
behind, without giving him any aid. Very strange, very strange indeed."
"Perhaps they figured he was out for good. That he was dead. But maybe
they'll be back. They might have a site nearby. And a doctor too."
I was fed up with those nonsensical imaginings of Tolya. He was
hopeless whenever wound up.
"Shut up for a while, will you!" I put in, making a wry face. "In this
case, ten tractors wouldn't have been able to do anything. And there weren't
any cables either. And the second vehicle did not go away, it vanished."
"So there was a second one after all?" Zernov asked.
"Yes, there was."
"But what does 'vanished' mean? Did it perish?"
"To a certain extent. That's a long story, actually. There was a
duplicate of our 'Kharkovchanka' machine. Not just a copy, but a duplicate,
a phantom, a spectre. But a real spectre, an actual one."
Zernov listened attentively and with interest . without saying
anything. There was nothing in his eyes that said: crazy, out of your head,
you need psychiatric treatment.
But Dyachuk was constantly ready with a term or two, and aloud he said:
"You're something like Vano. Miracles are all you two can see. He came
running crazy-like and yelling. 'There are two machines and two Anokhins!'
And his teeth were chattering."
"You would have crawled on all fours if you had seen the wonders that I
did," I put in cutting him short, "there was no imagination in this case
because there were two vehicles and two Anokhins."
Tolya moved his lips but said nothing and looked at Zernov; Zernov
turned aside for some reason. And in place of an answer he asked, jerking
his head in the direction of the door behind me:
"Is everything intact there?"
"I think so, though I didn't check to find out," I replied.
"Then let's have some breakfast. No objections? We haven't had anything
to eat since then."
I understood Zernov's psychological manoeuvre: he wanted to calm me
down and create a proper atmosphere for conversation, for I was obviously
upset. At table, where we greedily devoured Tolya's lousy omelette, the head
of the expedition related what had taken place immediately following the
accident on the plateau.
When the tractor had plunged into the crevice, breaking through a
treacherous crust of frozen snow and had got caught a relatively short
distance from the top and pressed between jags in the icy ravine, only the
outside glass of the window was slightly damaged despite the force of the
impact. The light did not even go out in the cabin. Only Dyachuk and I lost
consciousness. Zernov and Chokheli held on with only a couple of scratches.
They tried to bring Tolya and me around first. Dyachuk came to immediately.
But his head was going round in circles and his feet felt like cotton. "A
concussion of a sort," he said. "That'll pass. Let's see what's wrong with
Anokhin." He was already getting into the role of doctor. They pulled him
over to me and the three of them tried to bring me to. But neither ammonia
salts nor artificial respiration helped. "He seems to be in shock, if you
ask me," said Tolya. Vano, meanwhile, had made his way through the upper
hatch and from the roof of the "Kharkovchanka" reported that it was possible
to get out of the crevice. But Tolya was against trying to get me out. "The
main thing now," he said, "is to protect him from the cold. I believe that
shock passes into sleep and sleep will set up a protective inhibition." At
this point Tolya almost went out again, and it was decided to start the
evacuation with Tolya and leave me in the cabin for the time being. They
took skis, sleighs, the tent, a portable stove and briquettes for heating, a
lantern and part of the food supply. Though the machine was in a stable
position and there was no more danger of it falling farther, they did not
want to stay any longer hanging over the precipice. Zernov recalled the cave
in the ice wall a short distance from the site of the accident. So they
decided to transfer all the equipment there and Tolya too and then set up
the tent and stove and return for me. In half an hour they had reached the
cave. Zernov and Tolya, who had meanwhile regained some strength, remained
to set up the tent, while Vano returned with empty sleigh to fetch me. It
was then that the event took place which made them think that he had
momentarily lost his mind. Hardly an hour had passed when he came running
back with mad eyes, in a state of strange feverish excitement. The machine
he said was not in the crevice but on an icefield, and what is more, there
was another one just like it alongside, with the same dent in the front
glass. And in each one of the two cabins he found me lying on the floor
unconscious. At this point he cried out in terror, figuring that he must
have gone mad, and ran back. there he drank down a whole glass of spirits
and refused point blank to go after me, saying that he was used to dealing
with human beings and not snow maidens. Then Zernov and Tolya set out for
me.
In response, I told them my version of the story, which was still more
remarkable than Vano's ravings. They listened avidly, credulously, the way
children listen to a fairy story, not a single sceptical snicker, only
Dyachuk hurried me on now and then with "and then what". Their eyes shone so
that I felt they both ought to repeat Vano's experiment with the glass of
vodka. But when I finished they both were silent for a long time, hoping, I
imagine, for an explanation from me.
But I was silent too.
"Don't be angry, Yuri," Dyachuk finally mumbled. "Scott's diary, or
something like that. Well, what I mean is self-hypnosis. Snow
hallucinations. White dreams."
"And how about Vano?" Zernov asked.
"Well, of course, as a doctor I-"
"You're a hell of a doctor," put in Zernov, "so let's forget it. There
are too many unknowns to try and solve the equation straight off. Let's
begin from the beginning. Who pulled out the machine? From a
three-metre-deep well, and wedged into a vice that no factory could have
made. Yes, and weighing thirty-five tons. Even a whole tractor train would
probably not be strong enough. And what did they use to pull it out? Cables?
Nonsense. Steel cables would definitely leave traces on the body of the
machine. But there aren't any, as you can see."
He got up without saying a word and went into the navigator's room.
"But that's sheer nonsense, madness, Boris Arkadievich!" Tolya yelled
after him.
Zernov turned round.
"What do you mean?"
"Why all these adventures of Anokhin, the new Munchausen, all these
duplicates, clouds, vampire flowers and mysterious vanishing."
"Anokhin, didn't you have a camera in your hand when we came up?"
Zernov asked. "You must have been taking some pictures."
"Yes, I photographed everything I could, the clouds, the double machine
and my counterpart. I shot for about ten minutes."
Tolya blinked his eyes, but was still ready to argue, not at all about
to give in.
"It's still a question what we'll see when he develops it."
"You'll see in just a minute," came Zernov's voice from his quarters.
"Look out the window."
Coming towards us at half a kilometre altitude was a tightly wound up
crimson pancake. The sky was already covered over with white fleecy wisps of
cloud, and on their background it appeared to be less of a cloud. As before,
it resembled a coloured sail or an enormous kite. Dyachuk cried out and ran
to the doorway, we followed. The "cloud" passed over us without changing
course, heading for the north to the turning of the ice wall. "Towards our
tent," Tolya murmured and stepped towards me.
"I'm sorry, Yuri," he said and extended his hand, "I'm the poor fool
this time."
I was in no mood to celebrate my victory.
"That's not even a cloud," he continued thoughtfully, summarizing
certain ideas that had been worrying him. "What I mean is the ordinary kind
of condensation of water vapour. These are not droplets and they're not
crystal either. At first glance, at any rate. And why does it hug so close
to the ground, and that strange colour? A gas, it can hardly be a gas. It's
not dust either. If we had an aircraft I'd take a sample."
"They'd be eager to let you have some," I remarked recalling the
invisible barrier and my attempts to get through it with my camera. "It
presses down to the ground mighty hard, I thought the soles of my shoes were
magnetic."
"Do you think it's something living?"
"Might be."
"A creature of some kind?"
"That's hard to say, it might even be a substance." I recalled my
conversation with my double and added: "Probably controllable."
"How?"
"You ought to know, you're a meteorologist,"
"But are you sure it has some connection with meteorology?"
I said nothing. And when we returned to the cabin, Tolya suddenly
expressed a really crazy idea.
"Suppose those are some kind of inhabitants of the ice continent
unknown to science?"
"Brilliant," I said. "In the spirit of Conan Doyle. Courageous
explorers discover lost world on Antarctic plateau. And you're Lord Roxton?"
"There's nothing funny in that. What's your hypothesis if you've got
one?"
Stung, I said the first thing that came to mind.
"Cybernetic robots most likely."
"Where from?"
"Oh, from Europe or from the United States. Just tests that's all."
"But for what purpose?"
"Oh, say, for excavation purposes and the hoisting of big loads. The
'Kharkovchanka' machine was an ideal item for experimentation. That's why
they hauled it up."
"But what sense is there in duplicating it?"
"It might be that these are some kind of ingenious devices for
reproduction of atomic structures, whether protein or crystalline."
"Yes, but the purpose. What's the idea? I don't get it."
"According to the findings of Bodwin, an underdeveloped cerebellum
reduces one's ability to comprehend by 14 to 23 per cent. Give that some
thought and I'll be waiting. There's another element of the hypothesis and a
significant one."
Tolya was so eager to figure this out that he swallowed Bodwin and the
percentage without a word.
"I give up," he said. "What element?"
"The counterparts or doubles," I pointed out. "You were on the right
track when you spoke of self-hypnosis. But only on the track. The truth lies
in a different direction and on another route. It's not self-hypnosis, but
intervention in the processing of information. Actually, there were no
duplicates at all, no second vehicle, no second Anokhin, no duplicate
clothing and things, like say my jacket or camera. The 'cloud' reorganized
my psychic state and created a dichotomous perception of the world. And as a
result, a splitting of the personality, a twilight state of the soul."
"Still and all, your hypothesis lacks the most important thing: it does
not account for the physico-chemical nature of these devices, nor does it
explain the technical workings or the purpose in making them and using
them."
To call my ravings a hypothesis was of course sheer nonsense, to say
the least. I concocted it on the spur of the moment and persisted in
developing it only out of stubbornness. It was perfectly clear to me myself
that it accounted for nothing, and, what is most important, it did not
answer the question of why it was necessary to eliminate the doubles that
had existed only in my imagination or why I was not allowed to approach the
mysterious laboratory. Of course everything depended on the developed film.
If the cine eye caught what I saw, then my hypothesis was hardly more than a
Joke.
"Boris Arkadievich, we need help," Tolya implored.
"In what?" Zernov said. He obviously hadn't been listening. "Anokhin
has a fine imagination, it's a wonderful quality for painters and
scientists."
"He's got a hypothesis."
"Every hypothesis requires verification."
"But every hypothesis has a limiting probability."
"The limit of Anokhin's," Zernov agreed, "is in the state of the ice of
this region. It cannot explain why and for whom all these tens and perhaps
hundreds of cubic kilometres of ice are."
We didn't grasp the meaning and so Zernov patiently and condescendingly
explained.
"Before the accident I called your attention to the flawless profile of
the wall of ice that starts god knows where and stretches for I don't know
how long. To me it seemed to be an artificial cut. And under foot the cut
was just as artificial. Even at that time I noticed how insignificant the
density and thickness of the snow cover was. I can't help but feel that a
few kilometres from here we might find a similar wall parallel to this one.
It's sheer conjecture of course. But if it's right, then what kind of force
could have extracted and transported such a layer of ice? A cloud? Perhaps.
After all, we do not know its capabilities. But of European or American
origin?" He shrugged his shoulders. "Then you tell me, Anokhin, what were
these millions of tons of ice for and where have they disappeared to?"
"But was this an excavation, Boris Arkadievich? You say there are two
borders to an extracted layer. Why?" I exclaimed, "Where are the transverse
cuts? Besides it is more natural to perform the excavation in the form of a
crater."
"That is, if you are not concerned about movements over the continent.
Apparently, they did not want to interfere in such movements. Why? The time
has not yet come for conclusions, but I think that they are not hostile; on
the contrary, they appear to be friendly. Then look at it this way: for whom
is it more natural to excavate ice precisely in that fashion and not
otherwise? For us? We would have put up a fence around the site, nailed up
directions and instructions, announced the business over the radio. But
suppose they couldn't or didn't want to?"
"Who are these 'they'?"
"I am not making any hypotheses," Zernov answered dryly.
Chapter V. SLEEP WITHOUT DREAMS
I took along my cine camera on our journey to the tent but no "cloud"
put in an appearance. At our little council we decided to move to the cabin
of the tractor, make the necessary repairs and then move on. We received
permission to continue the search for the rose clouds. Just before our
discussion, I connected Zernov with Mirny. He reported the accident briefly,
mentioned the "clouds" we had seen and also the first movies I had taken of
them. He did not say anything- about duplicates and the other mysteries.
"Too early," he said to me.
They selected a nice site at a distance of a quarter of an hour on skis
with a wind at our back. The tent was up in the cave, which was protected
from the wind from three sides. However, the cave itself produced a strange
impression: a cube of ice had been carefully cut out and had left perfectly
smooth walls, as if they had been planed by hand. No icicles, no accretions
of ice. Zernov, without saying a word, punched the tip of his ski stick into
a geometrically regular cut of ice, as if to say that nature had nothing to
do with that.
We didn't find Vano in the tent, but everything was in disorder-an
upturned stove and the box with briquettes, skis thrown about, and the
leather coat of the driver at the entrance way. This was surprising and
suggested danger. Without taking off our skis we went in search of Chokheli
and found him right near the ice wall. He was lying in the snow with only a
sweater on. His unshaven face and black cap of hair were covered with a thin
fluffy layer of snow. In one hand, thrown to the side, he clenched a knife
with traces of caked frozen blood. On the snow near his shoulder was a
spread-out rose-coloured spot. The snow about had been stamped on, and as
far as we could make out, the tracks were those of Vano, for he wore
enormous-size boots.
He was alive. When we raised him, he moaned but did not open his eyes.
Being- the strongest, I lifted him onto my back. Tolya supported him from
behind. In the tent we carefully removed the sweater and found the wound to
be quite superficial. There was little loss of blood and the blood on the
knife was most likely that of his opponent. We were not so much afraid of
the loss of blood as of overcooling. We did not know how long he had lain on
the ice. But luckily it wasn't very cold and he was tough. We rubbed the boy
with alcohol and, pulling open his clenched teeth, we poured some inside.
Vano coughed, opened his eyes and muttered something-in his native Georgian.
"Don't move," we cried, bundling him up in the sleeping bag like a
mummy.
"Where is he?" Vano asked suddenly, coming to. This time he spoke
Russian.
"Who? Who are you talking about?"
He did not respond, his strength was giving out and he began to rave.
It was impossible to make anything out of the gibberish of mixed Russian and
Georgian words.
"The snow maiden," was what I heard, at least that is what I thought I
heard.
"He's delirious," Dyachuk said grieved.
Only Zernov was calm.
"That guy's cast iron," it was said of Vano, but it could have been
said of Zernov himself.
We decided to wait till evening before starting on our journey, all the
more so since both day and evening were just as light. And Vano needed some
sleep too: the alcohol was beginning to take action. A strange torpitude
took hold of us as well. Tolya grunted, climbed into his sleeping bag and
was soon asleep. Zernov and I tried our best to stay awake, smoke a
cigarette, but finally gave up. We spread out our sponge mat and slithered
into our sleeping bags.
"We'll take an hour off and then start on the trip."
"Okay, boss, one hour of sleep."
There was silence.
For some reason, neither he nor I expressed any ideas about what had
happened to Vano. As if in conspiracy we refrained from any commentary,
though I am sure we were both thinking about the same thing. Who was Vano's
enemy and where did he come from in this polar desert? Why was Vano
undressed and outside the cave, he had not even had time to put on his
leather coat. This means the fight began in the tent. What came before that?
And why the blood-covered knife in Vano's hand? This was surprising
especially since Chokheli never used weapons, despite his excitable nature,
unless truly forced to it. What made him do it-did he try to defend someone
or was it simply a marauding attack? But that is certainly funny, robbers
beyond the Antarctic circle where friendship is the law of every encounter.
But perhaps he was a criminal escaping justice. Again obvious nonsense. No
government would exile anyone to the Antarctic and to try to escape to this
icy continent by one's self would be practically impossible. But it might be
that Vano's opponent was a shipwrecked sailor who had gone mad from
unbearable aloneness. But we had not heard of any shipwrecks near the
Antarctic coasts. And of course how could he have found his way so far into
the interior of the icy continent? Zernov was most probably asking himself
those very same questions. But he kept silent and so did I.
It was not cold in the tent, for the stove was still giving off some
warmth, and it was not dark. The light coming through the mica windows did
not really illuminate the objects within, but it was enough to distinguish
them in the dim twilight. However, gradually or at once-I did not notice how
or when-the twilight did not exactly get denser or darker but somehow turned
violetish, as if someone had dissolved a few grains of manganate. I wanted
to get up, and push Zernov and call him, but I couldn't-something was
pressing on my throat, something pressed me to the ground, just as had
happened in the "Kharkovchanka" when I regained consciousness. But at that
time it seemed to me that somebody was looking through me, filling me full
and merging with every cell of my body. Now, if to use the same picturesque
code, somebody had looked into my brain and then let go, enveloping me in a
violet cocoon. I could look but I didn't see anything. I could think about
what was occurring but I could not understand it at all. I could breathe and
move but only within my cocoon. The slightest penetration into the violet
gloom called forth a response like that of an electric shock.
I do not know how long that continued, for I didn't look at my watch.
But the cocoon suddenly opened up and I saw the walls of the tent and my
comrades asleep in the same dim, but no longer violet, twilight. Something
hit me and I climbed out of the sleeping bag, picked up my camera and rushed
out. Snow was coming down, the sky was covered over with turbulent cumulus
clouds. Only somewhere in the zenith did the familiar rose-coloured spot
fleet by. It flashed across and vanished. But perhaps that was all a dream.
When I returned, Tolya, yawning broadly, was seated on the sleigh and
Zernov was slowly climbing out of his sleeping bag. He glanced at me, at my
cine camera and, as is usual with him, said nothing. Dyachuk said through
his yawn:
"What an awful dream I had, comrades! As if I was asleep, and not
asleep. I wanted to sleep, yet I couldn't fall asleep for anything. I was
just lying there in forgetfulness and couldn't see anything, no tent,
nobody. Then something sticky, dense and thick like jelly plumped onto me.
It wasn't warm, it wasn't cold, I just couldn't feel. It filled me up right
to the ears, complete, as if I were dissolved, like in a state of
weightlessness, you float or hang in space. And I didn't see myself or feel
anything. I was there and yet I wasn't at all. Boy, that's funny, isn't it?"
"Curious it certainly is," said Zernov and turned away.
"Didn't you see anything?" I asked.
"And you?"
"Not now, but in the cabin, just before I woke up I felt exactly the
way Dyachuk did. Weightlessness, no sensations, no dream, no reality."
"Mysteries, all of them," Zernov muttered. "Whom have you found,
Anokhin?"
I turned round. Throwing back the canvas door of the tent, obviously
right behind me, came a robust man in a cap with high standing artificial
fur and in a nylon fur jacket with a zipper. He was tall, broad in the
shoulders and unshaven and appeared to be terribly frightened. What could
have frightened this athlete is hard to imagine.
"Anyone speak English here?" he asked, chewing and stretching the words
as he spoke.
"Not one of my teachers ever had a pronunciation like that. A
southerner, probably from Alabama or Tennessee," I thought.
Zernov spoke the best English among us and so he answered:
"Who are you and what do you want?" "Donald Martin!" he yelled. "Flier
from MacMurdo. Got anything to drink? As strong as you've got." He drew the
edge of his palm across his throat. "Very necessary."
"Give him some spirits, Anokhin," said Zernov.
I poured out a glass and gave it to him. Though very unshaven, he
couldn't have been older than me. He took the whole almost at a single
swallow, coughed, his throat constricted and his eyes filled with blood.
"Thank you, sir," he said finally when he could catch his breath. Then
he started to tremble. "I had to make a forced landing, sir."
"Skip the 'sir'," said Zernov, "I'm not your superior. My name is
Zernov. Zernov," he repeated each syllable. "Where did you land?"
"Not far from here. Almost alongside."
"Without mishap?"
"No fuel, and the radio's on the bum."
"Then you can stay here. And you can help us move over to the tractor."
Zernov stopped, trying to get the proper English pronunciation, and, seeing
that the American wasn't sure, he added: "Oh, there's place enough and we
have a radio set."
The American continued to hesitate, as if not decided yet that he would
speak, then he pulled himself up and in military fashion said:
"Please arrest me, sir. I have committed a crime."
Zernov and I exchanged glances. Perhaps the thought of Vano occurred to
us at the same time.
"What kind of a crime?" Zernov asked guardedly.
"I think that I have killed a man."
Chapter VI. THE SECOND FLOWER
Zernov walked over to Vano who was all covered up. He threw back the
fur from his face and sharply asked the American:
"Is this the man?"
Martin cautiously and, what appeared to me to be in a frightened
manner, approached and said rather unconvincingly:
"Nnnoo."
"Take a better look," said Zernov still more sharply.
The flier shook his head uncomprehendingly.
"Not at all like him, sir. Mine is in the plane, and what is more," he
added with care, "I still don't know whether he's a human being or not."
At that moment Vano opened his eyes. He glanced at the American who
stood near him, his head rose above the pillow and then he fell back again.
"That's ... not me," he said and closed his eyes.
"He's still delirious," Tolya signed.
"Our comrade is wounded. Somebody attacked him. We do not know who it
was," Zernov explained to the American. "And so when you said ..." he
delicately dropped the subject.
Martin pulled over Tolya's sleigh and sat down, covering his face with
his hands and teetered back and forth as if in unbearable pain.
"I don't know whether you'll believe me or not, it's all so unusual and
unlike the truth," he started to relate. "I was flying a oneseater, a little
Lockheed, a former fighter plane, you know the kind. It even has a double
machine-gun for circular fire. One doesn't need it here, naturally, but the
rules state that you have to keep the gun in order, just in case. And there
was a case only it didn't work out. Have you people ever heard of rose
clouds?" he asked suddenly, and without waiting for an answer he continued,
a cramp deforming his mouth for a moment. "I caught up with them about an
hour and a half after take-off."
"Them?" I asked incredulously. "There were several?"
"A whole squadron. They were flying low, about two miles below me,
large rose jellyfish. Maybe a dark red, crimson, say. I counted seven of
different shapes and hues from the pale rose of not-yet-ripe raspberry to a
flaming garnet. Now the colour was changing all the time, getting darker or
thinning out as if diluted with water. I cut speed and plunged, calculating
on getting a sample. I have a special container under the undercarriage. But
it didn't work, the medusas escaped. I caught up with them but they escaped
again, without any effort, as if they were playing hide and seek. And when I
increased my speed they rose and scudded away above me. Light large and
flat, like a kid's balloon. But are they fast, why they'd outstrip a
four-engine Boeing. They led me on as if they were living beings. Only a
living being can act that way when it feels danger. And so I thought, if
that's the case, they themselves may become dangerous. I figured I ought to
get away. But they appeared to guess my manoeuvre. Three crimson jellyfish
rushed out at a terrific speed and swinging round without cutting speed they
plunged for me. I didn't even have time to yell, the plane was enveloped in
a fog, not even a fog, something slime like, thick and slippery. That's when
I lost control completely-speed, control and visibility. I couldn't even
move my foot or hand. I figured that's the end. The plane wasn't falling, it
was sliding downwards like a glider. Then it landed and I didn't even notice
how it landed. The sensation was like sinking into a reddish slime, choked
but not dead. I looked around; snow everywhere and a plane next to mine, a
copy of my little Lockheed. I got out and went up to it, and coming out of
the cabin was another great big guy like me. I don't know, he looked
familiar. Couldn't figure it out. So I asked him: "Who are you?" "Donald
Martin," he says. Looking at him was like looking in a mirror. "And you?"
"No, I said, I'm Donald Martin." He struck out at me, I ducked and sent a
left to the jaw. He fell and hit his head against the door, an awful bang!
There he was lying still. I gave him a kick, but he didn't move. Then I
shook him. His head just dangled. I dragged him over to my plane and thought
I'd get him to the base for help, but when I checked the gas, there wasn't a
drop. So I went to radio the news but the set wouldn't work. I must have
gone out of my head then, because I just jumped out and ran for all I was
worth, no direction, no aim, I just ran, because I couldn't stand the crazy
house any longer. I even forgot how to pray, all I could say was Jesus
Christ. Then I saw your tent and here I am."
Listening to him I recalled my own trials and tribulations and now
began to realize what had happened to Vano. What Tolya was thinking, with
his eyes bulging out, was hard to say; he was probably doubting and double
checking every word Martin uttered. He was about to start with questions in
his school English, but Zernov got in ahead of him:
"You remain here with Vano, Dyachuk, and Anokhin and I'll go with the
American. Let's go, Martin," he added in English.
Instinct or premonition-I don't know what psychologists would call
it-told me to take my cine camera, and I was thankful for that subconscious
idea. Even Tolya looked surprised-the body for the inspector or the
behaviour of the murderer at the sight of the body? The pictures I took were
different, however, and I began to shoot as we approached the site of
Martin's accident. There were no longer two planes, but one-Martin's own
silver canary, his polar veteran with swept wings. But right next to it the
familiar (to me) bubbling crimson hillock. It smoked, changed shades of
colour and pulsated in a strange manner, as if it were indeed breathing.
White elongated flashes broke out from time to time like sparks in welding.
"Don't go near," I warned Martin and Zernov as they ran past me.
But the upturned flower had already extended its invisible shield.
Martin who was in the lead strangely slowed down, and Zernov simply went
down on his knees. But both of them pushed forward overcoming the force that
pulled them groundwards.
"Jesus!" yelled Martin turning to me, and he fell to the ground.
Zernov retreated, wiping the sweat from his forehead.
Meanwhile I was shooting all of this; I moved round the crimson hillock
and bumped into the murdered man, or perhaps Martin's double who was only
wounded. He was lying in the same nylon jacket with synthetic fur covered
over with a fluff of snow some three to four metres from the airplane where
Martin had dragged him.
"Come on over here, here he is!" I cried. Zernov and Martin ran over
towards me, rather they seemed to skate over to me, balancing with their
hands, as one does when walking on ice without skates. Here too, the big
flakes of snow had powdered the smooth thickness of ice.
Then something utterly new happened that neither I nor my camera had
ever recorded. A crimson petal separated itself from the vibrating flower,
darkened, curled up in the air and stretching out into a living
four-metre-long snake with open jaws covered the body lying before us. For a
moment or two this snake-like tentacle sparkled and boiled and then tore off
the ground and in its enormous two-metre maw we saw nothing-only a violet
emptiness of an unnaturally stretched-out bell that before our very eyes
changed shape from cone to rippling petal. Then it merged with the cupola.
The only thing left on the snow was a trace-a formless silhouette of the man
that had just lain here.
I continued filming all this in a hurry to catch the latest
transformations. It had begun. The whole flower had now detached itself from
the ground, and as it rose the rim curved upwards. The bell, spread out in
the air, was likewise empty: we could clearly see that there was nothing
whatsoever inside, we saw the rose coloured interior and the delicate
expanding edges. It would now turn into a rose "cloud" and vanish beyond the
other real clouds. And on the ground there would be only one airplane and
one pilot. That is exactly what took place.
Zernov and Martin stood silent, stunned, just like I was the first time
that morning. I think Zernov had already come close to deciphering the
puzzle which to me was still only a faint glimmer of a possibility. It did
not shine, it only suggested the outlines of a fantastic but still logically
admissible picture. Martin was simply crushed not so much by the horror of
what had occurred but by the single thought that this was only the fruit of
a disturbed imagination. He obviously wanted to ask about something, his
terrified look restlessly flitted from me to Zernov until, finally, Zernov
smiled as if to say, go ahead. And Martin put the question.
"Who was it I killed?"
"We can take it that it wasn't anybody," Zernov smiled again.
"But that was a real live man," Martin repeated.
"Are you sure?" Zernov asked.
Martin was confused.
"I don't know."
"That's just it. I would say temporarily alive. The same force created
it and wiped it out."
"But why?" I asked cautiously.
He answered with exasperation-not like him at all.
"You think I know more than you do? Let's develop the film and see."
"And you think we'll understand then?" I no longer tried to hide the
irony.
"It might be," he said deep in thought.
Then he went out ahead without even inviting us to come along. We
exchanged glances and followed together.
"What's your name?" Martin asked familiarly taking me by the arm. He
must have seen we were of the same age.
"Yuri."
"Yuri, Yuri. Mine's Don. Do you think that thing was alive?"
"Yes, I have an inkling it was."
"Something local?"
"Don't think so. No expedition has ever encountered anything like it."
"Then where did it come from?"
"You'll have to ask somebody smarter than me, I don't know."
He was already getting under my skin. But he didn't seem offended.
"What do you think it is, jelly or gas?"
"You tried to take a sample, you should know."
He laughed.
"I wouldn't advise anyone to try. I wonder why it didn't just gobble me
up there in the air? It swallowed me and then spit me out."
"I suppose it didn't find you very tasty."
"Did he swallow him up?"
"I don't know."
"But you saw what happened."
"I saw it cover him up, but I didn't see it swallow him. Rather it
dissolved or evaporated the thing."
"What kind of temperature is needed?"
"Did you try to measure it?"
Martin even stopped, struck by the enigma.
"To melt a plane like that? In three minutes? Ultradurable duraluminum,
by the way."
"Are you sure it was duraluminum and not a hole of a doughnut?"
He didn't understand and I didn't try to explain; from there on we
didn't exchange a word till we got to the tent. Here too things were
happening. I was struck by the strange pose Tolya had taken, doubled up on
the box of briquettes and clicking his teeth from horror or from the cold.
The stove had already cooled off, but it didn't seem to be very cold in the
tent.
"What's the trouble, Dyachuk?" Zernov asked. "Heat up the stove if
you're cold."
Tolya did not answer; like one hypnotized, he Sat down near the stove.
"Going nuts a little bit," said Vano from under his fur protection. He
seemed to be gay enough.
"We had some visitors too," he added and nodded in the direction of
Tolya.
"There wasn't anyone here. Speak for yourself!" he shrieked and turned
to us. His face was twisted, distorted, almost about to cry.
Vano put his finger to his head as if to say we're all crazy. "We're a
bit upset. Okay, tell your own story," he said to Tolya and turned away. "I
myself was damn upset, Yuri, when I saw two copies of you. I couldn't stand
it and ran like hell. Jesus it was awful, terrifying. I took a gulp of
spirits and covered up with the coat. Wanted to go to sleep, but I couldn't.
I don't know, I was asleep, maybe I wasn't, but I had an awful dream. A long
one, mixed up, terrible and funny. It seems I was eating a jelly, dark, not
red, but violet. An awful lot of it, so much in fact that it filled me right
up to the ears. I don't remember how long that lasted. But as soon as I
opened my eyes, I saw that everything was empty, cold, and you weren't here.
Then suddenly he entered. My own self, like in a mirror, only without jacket
and in socks."
Martin listened attentively. Though he did not understand the
conversation in Russian, he guessed that the talk was about something that
definitely interested him as well. I took pity on him and translated the
gist. He was at me all the while Vano related his story, asking for a faster
translation. But I couldn't go that fast and only later did I relate the
whole of Vano's story. Unlike us, Vano immediately detected a difference
between himself and the guest. The drunken state had long since passed, and
fear as well, only his head continued to throb; the man who entered looked
at him with bull-like eyes, dull dazed eyes. "Quit this nonsense," he yelled
in Georgian, "I'm not afraid of snow maidens, I make mince meat out of
them!" The funniest thing was that Vano himself had thought about that in
the same terms when Zernov and Tolya had left. If someone were about, he
would definitely have got into a fight. That one started to, but Vano, sober
now, grabbed his jacket and ran out of the tent, realizing at once that it
was better to stay as far away as possible from such visitors. But Vano did
not stop to think that his very appearance contradicted all the familiar
laws of nature. What he needed was an open space to manoeuvre in the
impending battle. His double had already whipped out the famous hunting
knife Vano always carried with him to the envy of all drivers in Mirny. The
original knife was in Vano's pocket, but he did not give any thought to that
bit of strangeness either, he simply whipped it out when the drunken phantom
struck the first blow. Vano barely escaped a wound-the knife went through
the jacket. Vano threw it at his pursuer and got as far as the wall, where
it turned to the north. The second blow reached him, but luckily it was a
glancing stroke that his sweater softened. The third one Vano was able to
repulse by knocking the man down. What followed he did not remember. A
bloody blackness fell over him and some kind of force, like a shock wave,
threw him to the side. When he woke up he was in the tent on a cot bed
wrapped up in furs and absolutely sound in body. But the miracles continued.
This time it was Dyachuk who had a duplicate.
Vano did not succeed in finishing the sentence -Tolya threw the
briquette (he was stoking the stove) and jumped up with a hysterical cry:
"Stop this craziness! Do you hear?"
"You're nuts," Vano said.
"Well, damn it, I'm not alone in this. You're crazy too. You're all
mad. There wasn't anybody here except me. And nobody was split up either.
You people are out of your minds!"
"That's enough, Dyachuk," Zernov cut him short. "Behave yourself. You
are a scientist and not a circus performer. If you can't control your
nerves, you shouldn't have come here in the first place."
"So I'll leave," Tolya growled, in a much lower tone this time:
Zernov's words had sobered him up a bit. "I'm not Scott or Amundsen. I've
had enough of these white dreams, and I'm not heading for any nut house
either."
"What's the trouble with him?" Martin whispered.
I explained:
"If it weren't for the fuel, I'd quit too," he said. "Too many miracles
happening around here."
Chapter VII. THE ICE SYMPHONY
We never found out what happened to Tolya, but it was most likely
comical. Vano brushed the matter aside with:
"If he doesn't want to speak, leave him alone. Both of us were
frightened out of our wits. I don't go in for gossip." He did not make fun
of Tolya, though the latter was ready for a quarrel any time.
Martin and I, under Vano's supervision, replaced the dented plastic of
the window. He couldn't do it himself because of the wound on his hand. It
was also decided that Martin and I would take turns helping out with the
driving. Now nothing else kept us there. Zernov considered the expedition at
an end and was in a hurry to get back to Mirny. I had a feeling he wanted to
get away from his double, he was the only one who hadn't ' experienced this
unpleasant duplication. In direct : violation of the cast iron regime of
work and rest that he himself had set up, Zernov did not sleep all night
after we had switched over to the cabin of the tractor. I woke up a few
times in the night and saw his night-light on: he was obviously reading and
trembled at every suspicious noise.
We didn't speak any more about doubles, but in the morning after
breakfast, when we finally got under way, his face seemed to brighten up.
Martin was driving, Vano sat next to him on the drop-down seat and gave
instructions in sign language. I knocked out a radiogram to Mirny and
exchanged jokes with Kolya Samoilov who was on duty at the radio station,
and I took down the weather report. It was just right for our return: clear,
slight wind, a tiny frost of only two or three degrees below zero Celsius.
But the silence in the cabin hung heavy, like the aftermath of a
quarrel, so I began:
"I have a question, Boris Arkadievich; Why don't we radio a few
details."
"What would you like to add?"
"Why, everything that happened to me and Vano. What we found out about
the rose clouds, and what we discovered when we developed the film."
"And how do you suppose a story like that should be written?" asked
Zernov. "With psychological nuances, an analysis of sensations, with
insinuations and so forth? Unfortunately, I'm no good at that, I'm not a
writer. I don't think you could do it even with your imagination and your
weird hypotheses. Now to put all that into telegraph code would be more like
'notes from an insane asylum'."
"We could add a scientific commentary," I persisted.
"On the basis of what kind of experimental data? What have we got
except visual observations? Your film? But it hasn't even been developed."
"What could it be, really?"
"Well, what would you suggest? What, in your opinion is a rose
'cloud'?"
"An organism."
"Living?"
"Undoubtedly. A living thinking organism of a physico-chemical
structure unknown to us. A kind of bio-suspension or bio-gas. Academician
Kolmogorov postulated the possibility of the existence of thinking mould.
One could imagine, with the same degree of probability, a thinking gas, a
thinking colloid, or a thinking plasma. Change of colour is a protective
reaction or the colouring of emotions: surprise, interest, anger. Changes in
shape suggest motor reactions, the ability to manoeuvre in aerial space.
When a person walks, he moves his hands, bends his feet and so on. The
'cloud' stretches out, bends its edges, folds up into a bell."
"What are you talking about?" asked Martin.
I translated for him.
"It bubbles when it breathes and throws out tentacles when it attacks,"
he added.
"That makes it a beast, doesn't it?" asked Zernov.
"A beast," Martin confirmed.
Zernov was not asking idle questions. Each one of them was directed at
a specific target, one that was not clear to me. He seemed to be checking us
and himself and was not hurrying with any conclusions.
"All right," he said, "then answer this: How does that beast duplicate
human beings and machines? And why does he want to do it? Also, why does it
destroy the models after running them in a bit with human beings?"
"I don't know," I answered honestly. "The 'cloud' synthesizes all kinds
of atomic structures, that is clear. But the mystery is why it does so and
why it destroys them."
Tolya, who had not been communicative for some time and for some
unknown reason, put in a word at this point:
"I think the question is not posed in the proper form. How does it
duplicate? Why? It doesn't duplicate anything. It is simply an involved
illusion dealing- with sensory perceptions. It is not the subject matter of
physics but of psychiatry."
"And my wound is also an illusion?" Vano asked offended.
"You hurt yourself, the rest is illusions. Actually, I don't see why
Anokhin has given up his original hypothesis. Of course, this is a weapon. I
wouldn't take it upon myself to say whose-he threw a glance at Martin-but it
is undoubtedly a weapon. A sophisticated and, what is most important, a
purposeful weapon. Psychiatric waves that split the consciousness."
"And ice," I said.
"Why ice?"
"Because the ice had to be broken up in order to get the
'Kharkovchanka' machine out."
"Look over there to the right!" Vano cried out.
What we saw through the port window stopped the argument
instantaneously. Martin put the brakes on. We hurriedly got into our jackets
and jumped out of the machine. I began taking pictures on the run because
this promised to be one of the most remarkable of all my film strips.
This was a miracle indeed, a picture from another world of
extraterrestrial life. There were no clouds, no snow. Nothing interfered.
The sun hung just above the horizon giving all the strength of its light to
the emerald-blue chunk of ice that towered above us. An ideally smooth cut
through the multi-metre tower seemed to be pure glass. No human being, no
machine could be seen anywhere. Only gigantic rose-coloured disks-I counted
ten or more-that delicately and soundlessly cut the ice like butter. Imagine
cutting butter with a hot knife. This was it. No friction, a smooth, smooth
cut with a slight fringe melting round the walls. That was exactly what was
happening here, as the rose knife produced the hundred-metre walls of ice.
It was in the shape of an irregular oval or trapezium with rounded angles;
in area it must have been over a hundred square metres. At least that was my
rough guess. But very thin, only about two or three centimetres. The
familiar "cloud" had obviously flattened out, elongated and converted into
an enormous cutting instrument operating with amazing speed and precision.
Separated by a distance of half a kilometre, two such knives were
cutting the ice wall perpendicular to the base. Two others were cutting from
below in regular coincident movements of a pendulum. Another set of four
were engaged close by, and a third group, that I couldn't see any more, was
operating deep inside the ice. Soon the second one and the one next to us
disappeared in the ice-like a Gulliver Travels circus. All of a sudden, it
pushed up into the air a perfectly blue parallelepiped of ice, a glass bar
nearly a kilometre in length, geometrically flawless. It rose slowly and
floated upwards lightly and without a thought, like a toy balloon. Only two
"clouds" participated in this operation. They contracted and turned dark,
converting into the familiar saucers, turned skywards not earth-wards-two
incredible red giant flowers on invisible expanding stems. They did not
appear to be supporting the floating bar, for it rose above them at a decent
distance and was in no way connected or fastened.
"How does it hold up?" Martin asked in surprise. "On a shock wave? What
force must the wind have?"
"That's not the wind," said Tolya picking out his English words
carefully. "That's a field. Antigravitation." He threw an imploring glance
at Zernov.
"A field of force," Zernov explained. "Remember the G-loading, Martin,
when you and I tried to approach the airplane? Then it strengthened
gravitation, now it is obviously neutralizing it."
At that moment yet another kilometre-long bar of ice rose from the
surface of the ice plateau, thrown into space by an invisible titan. It rose
much faster than its predecessor and soon caught up with them at the
altitude of ordinary polar flights. One could clearly see how the ice bars
approached in the air, docked alongside one another, and merged into one
broad bar that hung motionless in the air. This was immediately followed by
a third, that lay down on top, then a fourth, to balance the plate. It grew
thicker with every fresh bar: the "clouds" required three to four minutes to
cut it out of the thick continental ice and raise it into the sky. As new
bars came off, the ice wall receded into the distance, and with it the rose
clouds too, which appeared to dissolve and vanish in the snowy distance. As
before, two red roses hung in the sky and above them the enormous crystal
cube with bright sunlight filtering through.
We stood speechless, enchanted by this picture that was almost musical
in its tones. A peculiar kind of gracefulness and plasticity of the
rose-coloured disc-knives, their coordinated rhythmical motions, the upward
flight of the blue ice bars that formed a gigantic cube in the sky-all this
was music to our ears, a soundless music of the mysterious spheres. We did
not even notice -only my cine camera recorded it-how the diamond cube of
sunlight began to diminish in size as it rose higher and higher, and finally
vanished way up beyond the cirrus cloudlets. The two command "flowers" also
vanished.
"A thousand million cubic metres of ice," groaned Tolya.
I looked at Zernov. Our eyes met.
"That's your answer to the main question, Anokhin," he said. "Where did
the ice wall come from and why there is so little snow under foot. They are
removing the ice shield of the Antarctic."
Chapter VIII. THE LAST DUPLICATE
The official report of our expedition was: Zernov's statement on the
phenomenon of the rose "clouds", my story about doubles (or duplicates) and
a preview of the film I had taken. But Zernov had different plans from the
very beginning of the meeting. No materials for the scientific report except
personal impressions and the film taken by the expedition, he explained; he
added that the astronomical observations that he had familiarized himself
with at Mirny do not yield any grounds for definite conclusions. The
appearance of enormous accumulations of ice in the atmosphere at a variety
of altitudes was registered, it turns out, both by Soviet and foreign
observatories in Antarctica. However, neither visual observations or special
photographs permit establishing either the quantity of these quasi-celestial
bodies or the direction of their flight. One can therefore speak only of
impressions and conjectures that sometimes go by the name of hypotheses. But
since the expedition returned three days ago and people are by habit
garrulous and curious, everything seen by the members of the expedition is
now known far beyond the limits of Mirny. It would naturally be best to
engage in conjectures after viewing the film, since there will be more than
enough material for such guesswork.
I do not know whom Zernov had in view when he mentioned talkativeness,
but Vano and Tolya and I did much to excite the men and rumours of my film
had even gotten across the continent. A Frenchman and two Australians and a
whole group of Americans together with the retired Admiral Thompson, who has
long since exchanged his admiral's galloons and shoulder straps for a fur
jacket and polar sweater arrived to see the film. They had already heard
about the film and eagerly awaited it, expressing all manner of
suppositions. The film, even if I do say so, turned out to be exciting. Our
second cinema operator, Zhenya Lazebnikov, looked at the developed film and
howled out with envy: "That's the end. You're famous now. Not even Evans
ever dreamt of a piece like this. You've got both hands on the Lomonosov
Prize right now." Zernov did not comment, but leaving the laboratory, he
asked:
"Aren't you a little bit afraid, Anokhin?" "Why should I be?" I
countered in surprise. "You can't image the sensation this is going to
create."
I had felt something like that when we viewed the film at the base.
Everybody was there who could make it, they sat and stood till there wasn't
any more room to sit or stand. The silence was that of an empty church. Once
in a while a rumble of amazement and almost terror, when even the old-timers
of polar exploration used to quite a bit gave in. The scepticism and
disbelief that some had received our stories with disappeared on the instant
after pictures of two "Kharkovchanka" vehicles with identically dented front
windows and the rose cloud floating above them in the pale blue sky. The
frames were excellent and precisely conveyed the colour:
the "cloud" on the screen went red, violet, changed shape, turned up in
the form of a flower, boiled and gobbled up the huge machine with all its
contents. The picture of my double did not cause excitement at first and was
not convincing, for they simply took it for me myself, though I pointed out
straightway that to film myself and in motion too and from different angles
was simply impossible even for a Grand Master documentalist. But what really
compelled them to believe in duplicate human beings were the pictures of
Martin's double on the snow-I succeeded in getting him close up-and then the
real Martin and Zernov approaching the site of the catastrophe. The hall
buzzed with excitement and when the crimson flower threw out a snake-like
tentacle and the dead Martin vanished into its flared maw, somebody even
cried out in the darkness. But the most striking effect, the deepest
impression was made by the concluding part of the film, its ice symphony.
Zernov was right, 1 greatly underestimated the sensation.
But the viewers gave it its due. The showing was hardly over when
voices were heard demanding a second showing. This time the silence was
total: not a single exclamation resounded in the hall, nobody coughed, no
one exchanged a single word with his neighbour, even whispering could not be
heard. The silence continued even when the lights went on. The people were
still in the grip of events and were released only by the voice of the
oldest of the old-timers, the doyen of the corps of wintering-over men,
Professor Kedrin, who said:
"All right, now tell us, Boris, what you think about it. That will be
better because we still have to think things over."
"I've already said that we have no material witnesses," Zernov replied.
"Martin was not able to get a sample: the 'cloud' did not allow him to
approach. On the ground, too, we could not get close enough and were pressed
to the ground as if our bodies were filled with lead. This means that the
'cloud' can set up a gravitational field. Added confirmation is the ice cube
in the air that we saw. Martin's plane was probably landed and our tractor
pulled out of the crevice in the same fashion. The following inferences may
be classed as beyond question: the 'cloud' readily changes its shape and
colour. This you have seen. It creates any temperature regime needed:
hundred-metre-thick ice can be cut only by using very high temperatures. It
floats in the air like a fish in water and can change direction and speed
instantaneously. Martin claims that the 'cloud' he saw escaped from him at
hypersonic speed. His 'colleagues' obviously went slow simply to create a
gravitational barrier around the airplane. The ultimate conclusion can only
be that the rose 'clouds' have nothing whatsoever to do with meteorological
phenomena. This 'cloud' is either a living thinking organism or a bio system
with a specific programme. Its principal tasks are to remove and transport
into space enormous masses of continental ice. And incidentally for some
unknown reason and in some unknown way it synthesizes (I would rather say
duplicates or models) any thing it encounters (atomic structures such as
human beings, machines and other things) and then destroys them.
The American Admiral Thompson asked Zernov the first question:
"There is one thing that is not clear to me from your report, and that
is, whether these creatures are hostile or not towards human beings."
"I do not think so. They destroy only the copies they themselves have
created."
"Are you positive?"
"But you've just seen that yourself," Zernov replied in surprise.
"I would like to know whether you are sure that the destroyed creatures
are definitely copies and not the people themselves? If the copies are
identical with the human beings, then who will prove to me that my pilot
Martin is indeed my pilot Martin and not his atomic model?"
The exchange was in English but many in the hall understood or
translated for their neighbours. Nobody smiled, the question was indeed
terrifying. Even Zernov seemed at a loss as he searched for an answer.
I pulled down Martin who had jumped up and said:
"I can assure you, Admiral, that I am indeed I, the photography man of
the expedition, Yuri Anokhin, and not a cloud-created model. When I shot the
film, my double retreated to the Sno-Cat as if hypnotized. You could see
that on the screen. He told me that somebody or something was forcing him to
return to the cabin. Apparently he was already prepared for elimination." I
watched the glistening spectacles of the Admiral and almost burst with
anger.
"That is possible," he said, "though it is not very convincing. I have
a question for Martin. Please stand up, Martin."
The pilot rose to his full two-metre height of a veteran basketball
player.
"Yes, sir. I wiped out the copy with my own two hands."
The Admiral smiled.
"Now suppose the copy finished you off?" He moved his lips a bit before
adding: "You attempted to shoot when you thought about the aggressive
intentions of the 'cloud', right?"
"Yes, I did, sir. Two bursts with tracer bullets."
"Any results?"
"No, sir, no results. Like a shot gun against an avalanche of snow."
"Now suppose you had a different weapon? Say a flame thrower or
napalm?"
"I do not know, sir."
"Would it have refused to clash?"
"I do not think so, sir."
"Sit down, Martin. Don't be offended, I am only trying to clarify some
of the details of Mr. Zernov's report that worry me. Thank you for your
explanations, gentlemen."
The persistence of the Admiral untied all tongues. Questions followed
one another as fast as they could be answered, like at a press conference.
"You said that ice masses are being transported into space. Do you mean the
atmosphere or outer space?"
"If it is into atmospheric space, I don't see the purpose. What is
there to do with ice in the atmosphere?"
"Will humanity allow for this mass-scale plundering of ice?"
"Does anyone need glaciers here on the earth?"
"What will happen to a continent freed from ice? Will the level of the
ocean rise?"
"Will the climate change?"
"Not all at once, comrades," Zernov implored rising his arms. "One at a
time. Into what space? I assume it is cosmic space. Glaciers are only needed
in the terrestrial atmosphere for glaciologists. Generally speaking, I
thought scientists were people with higher education. But judging from the
questions, I am beginning to doubt the axiomatic nature of that proposition.
How can the water level in the ocean increase if there is no increase in
water? That's school geography, and the same goes for the climate question
too."
"What, in your opinion, is the presumed structure of the 'cloud'? To me
it seemed to be
a gas."
"A thinking gas," someone giggled. "From what textbook is that?"
"Are you a physicist?" Zernov asked.
"Well, assuming that I am."
"Suppose you write a textbook."
"Unfortunately, I have no experience in the show business. But my
question is serious."
"And I'm serious in my answer. I do not know the structure of the
'cloud'. It might even be that the physico-chemical structure is totally
unknown to our science. I think that it is more of a colloidal structure
than gaseous."
"Where do you think it came from?"
The correspondent of "Izvestia" I knew got
"P-, "In some kind of a science fiction novel I read
about visitors from Pluto. Incidentally, in the Antarctic too. Do you
really take that as a serious possibility?"
"I don't know. While I'm on the subject, I never said anything about
Pluto."
"It may not be Pluto, what I meant was from outer space as such. From
some kind of stellar system. Why should they be coming to the earth for ice?
To the outskirts of our Galaxy. There is certainly enough ice in the
Universe, one could try some place a bit closer."
"Closer to what?" Zernov asked and smiled.
I admired him. He still retained some humour and calm even under this
veritable barrage of questions. He had not made a scientific discovery, but
was only an accidental witness to a unique, unexplained phenomenon, about
which he hardly knew more than those who had seen the film. For some reason
they kept forgetting that and he patiently responded to every remark.
"Ice is water," he said in the tone of a tired teacher winding up a
lesson. "It is a compound that is not so often met with even in our own
stellar system. We do not know whether there is water on Venus, there is
very little on Mars and none whatsoever on Jupiter or Uranus. And of course
there is not so very much terrestrial ice in the Universe. If I err, the
astronomers will correct me, but it seems to me that cosmic ice is merely
frozen gases: ammonia, methane, carbon dioxide, nitrogen."
"Why doesn't anyone ask about duplicates, doubles?" I whispered and
immediately got myself into a lot of work.
Professor Kedrin recalled me:
"I have a question for Anokhin. Did you converse with your duplicate?
And I wonder what
about?" "Yes, we did, we talked about a variety of things," I said.
"Did you notice any difference, purely external, say, in fine points,
in hardly noticeable details? I refer to differences between the two of
you."
"None in the least. Our blood was even the same." Then I told them
about the microscope.
"How about memory? Recalling things from childhood and later. Did you
check that?"
I related everything about memory. What I couldn't understand was what
he was trying to get at. But he .explained himself:
"The question that Admiral Thompson asked, is a disturbing one,
frightening even, and it should put us on our guard. If duplicates of human
beings are going to put in appearances in the future and if, say, duplicates
appear that are not destroyed, then how are we to distinguish between a
person and his model? What is more, how will they themselves distinguish
each other? I believe that is a matter not so much of absolute identity, but
of the confidence of each that precisely he is the real person and not the
synthesized one."
I recalled my own arguments with my ill-fated double and was completely
lost. Zernov saved me.
"A curious item," he said, "the doubles always appear following one and
the same dream. The person seems to be immersed in a red or crimson (violet
sometimes) cold jelly-like substance that is always very thick. This
undisclosed substance fills the person up completely, all his internal
organs, all vessels. I cannot assert definitely that the filling takes
place, but the person seems to be convinced of it. He lies totally incapable
of moving, as if paralysed, and begins to experience sensations akin to
those of one hypnotized: as if someone invisible were probing his mind,
going through 'every cell of his brain. Then the crimson darkness vanishes,
his mind clears and his movements come back. He believes that he has had an
absurd and horrible dream. In a short time, the double is at large. But
after waking up, the person has had time to do something and to say
something, to think something. The double does not know this. When Anokhin
woke up he found two vehicles and not one, both with the same dent in the
front window and with the same welded piece of metal on the tractor tread.
For his double, this was a discovery. He only remembered what Anokhin
remembered prior to immersion in the crimson work. There were similar
discrepancies in the other cases as well. After waking up, Dyachuk shaved
and cut himself. His double appeared without the cut. Chokheli went to sleep
drunk from the glass of alcohol he had swallowed, but he got up sober, with
a clear mind. Now the duplicate appeared before him drunk, he could hardly
stand up, his eyes were misty, actually he was in a state of delirium
tremens. I think that in the future it will be precisely this period of
action of the person immediately after waking up from the 'crimson dream'
that will help, in doubtful cases, to distinguish the original from the copy
if other ways have not been found by then."
"Did you also have a dream of that nature?" someone asked in the hall.
"Yes, I did."
"But you did not have a double?"
"That is exactly what is worrying me. Why I turned out to be the
exception."
"You were not an exception," Zernov's own voice answered him.
The speaker stood behind the others, nearly in the doorway, dressed
somewhat differently from Zernov. The other one had on a splendid grey suit,
while this one had on an old dark-green sweater, the one Zernov always wore
on expeditions. But Zernov's padded pants and Canadian fur boots, which I
envied during our trips, completed the dress of the stranger. Yet he was
hardly a stranger, when you come to think of it. Even I, who had spent so
many days alongside Zernov, could not distinguish one from the other. Zernov
was on the stage, but in the doorway stood a precise, perfect copy. That is
definite.
The hall gasped, somebody stood up, looking from one to the other in
bewilderment, someone else stood with his mouth open. Kedrin, with puckered
eyebrows, concentrating, examined the double with interest; a snake-like
snigger appeared on the lips of the American Admiral; he was obviously
pleased at the unexpected confirmation of his idea. It seemed to me that
Zernov himself was rather pleased too, the doubts and fears of whom had so
suddenly been brought to consummation.
"Come over here," he said almost gaily, "I've been waiting for just
such a meeting. Let's have a talk. It'll be of interest not only to us."
Zernov's double unhurriedly walked over to the stage accompanied by
inquisitive eyes full of excitement and interest that are accorded only rare
celebrities. He turned around, pulled up a chair and sat down near the table
at which Zernov had been carrying on a running commentary of the film. The
spectacle somehow seemed very natural: here were twin brothers meeting after
a long separation. The only difference was that everyone knew that there had
been no separation and these were no brothers. Simply one of the two was a
miracle beyond the comprehension of human beings. But which one? Now I
realized what Admiral Thompson meant.
"Why didn't you show up during the trip? I was expecting it," said
Zernov Number One.
Zernov Number Two, perplexed, just shrugged his shoulders.
"I remember everything prior to that rose-coloured dream. Then there is
a hiatus, a gap. Then here I am entering this hall, and listening and
watching and it seems to me that I have begun to understand things." He
looked at Zernov and smiled ironically. "How much alike we are, after all!"
"I foresaw that," said Zernov shrugging.
"But I didn't. If we had met like Anokhin and his double, I would not
have given away the priority. Who would have proven that you are the real
one and I am only a reproduction? The point is that I am you, I remember all
my (or your)-now I don't even know which-life, right down to the most minute
detail, even better than you perhaps: most likely a synthesized memory is
fresher. Anton Kuzmich-he turned to the audience-do you remember our
conversation just before departure? Not about the problems of
experimentation, just the words we exchanged. Do you remember?"
Professor Kedrin was definitely perplexed:
"I don't remember."
"I don't either," said Zernov.
"You knocked your cigarette holder on a packet of cigarettes," said
Zernov Number Two without the slightest touch of superiority, " and you said
'I want to give up smoking, Boris. Beginning with tomorrow, that's
definite'."
Laughter broke out because Professor Kedrin was munching a cigarette
that had already died out.
"I have a question," it was Admiral Thompson.
"I would like to ask Mr. Zernov in the green sweater. Do you remember
our meeting at MacMurdo?"
"Of course," said Zernov the Second in English.
"And the souvenir that you liked so much?"
"Of course," Zernov Two answered. "You presented me with a fountain pen
with your initials in gold. I have it in my room, in the pocket of my summer
jacket."
"My summer jacket," Zernov corrected him sardonically.
"You would not have convinced me of it if I had not seen your film. Now
I know: I did not return with you on the tractor, I did not meet the
American pilot, and the death of his double I only saw in the film. I expect
the same end for myself, I foresee it."
"Perhaps you are an exception," said Zernov, "it may be that you will
be granted existence."
Now I saw the difference between them. One spoke calmly without losing
any of his composure, the other was all wound up inside and tense. Even his
lips trembled, as if it were difficult for him to say what his mind was
thinking.
"You yourself do not believe in it," he said, "we are created as an
experiment and are eliminated as a product of the experiment. Why, is not
known to anyone, you or me. I remember Anokhin's story via your memory, via
our combined memory, that is how and why I remember it." He looked at me and
inside I shuddered as I met the so familiar look. "When the cloud started to
descend, Anokhin told his double to run. The double refused, he could not,
he said, for something was ordering him to remain. And he returned to the
cabin to die: we all saw that. The difference is that you can stand up and
leave, whereas I cannot do that. Something has already ordered me not to
move."
Zernov extended his hand and it came up against an invisible barrier.
"Nothing can be done," sadly smiled Zernov the Double. "It's a field,
I'm using your terminology, since like you I know no other. The field has
already been set up. I'm in it like in a spacesuit."
Somebody sitting nearby also tried to touch the synthesized man but
couldn't because his hand encountered compressed air as hard as wood.
"It is terrible to know of your own end and not to have any way of
putting it off," said Zernov's counterpart. "After all, I am a man and not
just a biological mass. I so terribly want to live-"
The horrible silence pressed down on the hall. Someone was breathing
heavily like an asthmatic. Somebody else had covered his eyes with his hand.
Admiral Thompson had taken off his glasses. I screwed up my eyes.
Martin's hand that had been on my knee trembled.
"Look up!" he cried.
I looked up and froze stiff: there was a violet pulsating trunk-like
affair dropping down the ceiling to the Zernov sitting perfectly still in
the green sweater. Its funnel widened and frothed, unhurriedly but firmly,
like an empty hood, and covered up the man beneath it. A minute later we saw
something like a jelly stalactite violet in colour that merged with a
similar stalagmite. The base of the stalagmite rested on the stage near the
table, the stalactite flowed out of the ceiling through the roof and the
almost three metres of snow covering it. In another half minute the frothing
edge of the trunk, or pipe, began to turn upwards and in the empty rosiness
of its inside we no longer could see either chair or man. In another minute,
violet foam had gone through the roof as if something immaterial, without
damaging either the plastic or the thermal insulation.
"That's all," said Zernov rising to his feet. "Finis, as the ancient
Romans used to say."
* PART TWO. THE CREATION OF THE WORLD
Chapter IX. "THE END OF THE 'TITANIC'"
In Moscow I had hard luck. I had got through the fierce Antarctic
winter without even having sneezed in sixty degrees below zero, but back
here in Moscow I came down with a cold in the autumn slush when the
thermometer had hardly dropped to zero outside the window. True, by next
Tuesday the doctor said I'd be up and around and my own self again, but
Sunday morning I was still lying with mustard plasters on my back and unable
to go downstairs for the newspapers. Tolya Dyachuk brought me the papers. He
was my first visitor Sunday morning. And though he did not take any part in
our fussing with the rose clouds and immediately returned to his
weather-forecast institute and his charts of the winds and cyclones, I was
sincerely happy that he did come. The anxious events that we had both gone
through just a month before were still deeply felt. And Tolya was an
easy-going convenient guest. One could be totally silent in his presence and
think one's own thoughts without any risk of offending him, and his jokes
and exaggerations would never offend his host. So the guest ensconced
himself in a chair near the window and strummed on the guitar purring to
himself one of his own compositions while the host lay patiently enduring
the stings of the mustard and recalling his last day at Mirny and the
try-out of the new helicopter that had just arrived from Moscow.
Kostya Ozhogin had arrived at Mirny with a fresh group of polar workers
and had only the faintest idea about the rose clouds. Our acquaintance began
as he begged me to show him at least a little bit of my film. I showed him a
whole reel. He responded by offering me a seat in the new high-speed
helicopter during a trial run out over the ocean. The next morning-my last
at Mirny-he came over and told me in secret about some kind of "very
terrible thing". His helicopter had been out on the ice all night, about
fifty metres from the edge, where the ship "Ob" was moored. Here is the way
he described it: "We were celebrating a bit, had been drinking, not much,
and before going to bed I went out to take a look at the machine. There were
two there, one next to the other. I figured another one had been unloaded
and went back to sleep. In the morning there was only one again. So I asked
the engineer where the other one had gone, and he burst out laughing. 'Hey,
you drank too much, you were seeing double. How much did you guys put away?'
"
I was rather suspicious about the true criminals of this splitting, but
I didn't say anything. What I did was I brought along my camera, I had a
hunch it might come in useful. Which it did. We were about three-hundred
metres above the ocean at the very edge of the ice. We could clearly see the
unloaded boxes and machines, the small pieces of broken ice at the shore and
the blue icebergs out in the pure water. The biggest towered up a few
kilometres from the coast line, but did not float or bob on the waves-it was
sitting firmly in the water fixed securely to the bottom. We called it 'The
End of the Titanic' in memory of the famous liner that collided with a
colossal iceberg at the beginning of the century. This one was even larger.
Our glaciologists calculated that it was roughly three thousand square
kilometres in area. That was the goal of the Disney characters that had
stretched out single file across the sky.
I began to film without waiting for a close approach. They were flying
at the same altitude as we were, they were rose-coloured without a single
spot and resembled dirigibles at the tail end of a column. From the front
they were like boomerangs or swept-back airplane wings. "Shall we turn
back?" said Ozhogin in a whisper. "We can put on speed." "Why?" I sniggered.
"You can't get away from them anyway." I could sense the tension in
Ozhogin's muscles, but I didn't know whether it was due to fear or
excitement. He asked: "Are they going to start splitting?" "No, they're not
going to." "How do you know?" "Because they duplicated your helicopter last
night, you yourself saw it," I replied. He didn't say anything.
Meanwhile the column had approached the iceberg. Three rosy dirigibles
hung in the air, getting redder and opening up their familiar saucer-like
stemless poppies, motionless at the corners of an enormous triangle over the
island of ice; then the swept-wing boomerangs plunged downwards. They went
into the water like fish, no splash, no sound, only white spurts of steam
encircled the iceberg. Probably the temperature gradient between the new
substance and the water was too great. Then all was calm. The poppies
flowered over the island and the boomerangs, disappeared. I waited patiently
while the helicopter slowly circled over the iceberg a bit below the poppies
hanging in the sky.
"What's going to happen now?" Ozhogin asked hoarsely. "Is this the
end?" "I don't think so," I replied cautiously. About ten minutes must have
passed. Suddenly the mountain of ice shook mightily and then slowly rose out
of the water. "Let's go," I yelled to Kostya. He understood and swung our
plane to the side, away from the dangerous orbit. The bluish hunk of ice,
scintillating in the sun, had already risen above the water. It was so large
that it was difficult to find any comparison. Imagine an enormous mountain
cut off at the base and rising upwards like a toy balloon. It gleamed and
glistened shimmering in a million colours of molten sapphires and emeralds
sprinkled all over it. This was a scene you could sell your soul to the
devil for. I was the king. Only Ozhogin and I and the astronomers of Mirny
witnessed this incomparable spectacle. A miracle of ice rose out of the
water, came to a halt over the three crimson poppies and then hurtled off
into the depths of cosmic space. The "boomerangs" slithered out of the water
in a jet of steam and turned towards the continent in regular order. The
route lay through the foam of cumulus clouds. Like horsemen they galloped.
Horsemen!
The simile came later, and it was not concocted by me but right now I
heard it from Tolya strumming on his guitar.
"Do you like it?" he asked.
"Like what?"
"The song, naturally," he explained.
"What song," I still couldn't get it all straight.
"So you weren't listening," he sighed. "Exactly what I thought. I'll
have to sing it again."
He started up in his long drawn out talk-sing voice, like a chansonnier
without a voice that hangs onto the microphone for dear life. I didn't know
then what an envious fate awaited this composition of accidental celebrity.
"Horsemen from nowhere, what's that? A dream? A myth? All of a sudden,
while awaiting a wonder ... the world froze silently still. And over the
rhythmical drone and pulse of the world, horsemen from nowhere pranced by
... True, the idea is not new and the theme of the tragedy is simple. Hamlet
again solving the eternal problem. Who are they? Human beings? Gods? The
snow melts slowly, and again the Earth is anxious, there is no breathing
spell-"
He paused for a moment and then continued in a major key.
"Who will recognize them? And will we be able to grasp them? It is
late, my friend, it is late, and there is no one we can blame. Only the
difficult thing to grasp, my friend, is that there they are again-the
horsemen from nowhere prancing by in ordered array."
He sighed and glanced in my direction waiting for some sign of
appreciation.
"Not so bad," I said, "As a song goes, but-"
"But what?" he queried guardedly.
"Where does the Spanish sadness come from? Why the pessimism?" And I
started, 'It is late, my friend, it is late,' "Why late? And what is late?
And what's this about blame? Are you sorry about the ice, or the doubles?
Better take off this mustard plaster, it's not burning any more."
Tolya peeled it off my suffering back and said:
"Incidentally, they've been seen in the Arctic too."
"That must be terrifying, those horsemen from nowhere."
"You said it. In Greenland they've been cutting up ice too. Telegrams
have come in."
"So what, it might get warmer, that's all."
"But what if they take all the ice there is on the Earth? In the
Arctic, the Antarctic, in the mountains and the oceans?"
"You ought to know, you're the climatologist. I guess we'll be able to
fish for sardines in the White Sea and plant oranges in Greenland."
"In theory," Tolya sighed. "Who can predict what will really happen?
Nobody. It's not the ice that worries me. You read what Thompson has to say.
TASS has given it in full." He pointed to a bunch of papers.
"Getting panicky?"
"That's not the word!"
"He was nervous enough there in Mirny, remember?"
"Yea, he's a tough nut. He'll keep things mixed up for quite some time.
For both sides. By the way, he was the one who used the phrase Lysov-sky
coined: 'horsemen from nowhere'."
"Horsemen from nowhere? But that's what you thought up," I recalled.
"Yes, but who multiplied it?"
Special correspondent of "Izvestia" Lysovsky, returning from Mirny, was
the author of an article dealing with the rose "clouds" that was taken up by
all the newspapers of the world. That's what he called them: horsemen from
nowhere. Tolya was the real inventor, though. He was the one who yelled out
"horsemen, really, horsemen". "Where from?" someone asked. "I don't know,
from nowhere." Then Lysovsky repeated it aloud: "Horsemen from nowhere. Not
bad for a headline."
Tolya and I looked at each other. That's exactly the way it had been.
Chapter X. THE PHANTOM AIRCRAFT
What actually happened? Our jet liner was in flight from the ice
aerodrome of Mirny to the shores of South Africa.
Below us were white wisps of cloud like a field of snow near a railway
station: locomotive soot sprinkled about on fresh snow. The clouds moved
apart occasionally and windows would open up displaying the steel surface of
the ocean far below.
All of us who had gotten used to one another during the winter were
gathered in the cabin- geologists, pilots, glaciologists, astronomers,
aerologists. Our guests were only a few newspaper reporters, but it was soon
quite forgotten that they were guests and they gradually dissolved into a
homogeneous mass of Antarctic workers of yesterday. The talk turned to the
rose clouds, of course, but not seriously, in a bantering manner with jokes
and wisecracks most of the time. The usual excited cabin conversations of a
home-returning trip.
All of a sudden some rose-coloured "boomerangs" appeared out of the
clouds, jumping in and out like horsemen in the steppe. That was when the
"horsemen" phrase came up, though they naturally had been compared with most
anything because they were constantly changing shape, which they did
instantaneously and for reasons that we could not fathom. That is exactly
what happened this time too. Six or seven of them, I don't remember
precisely, rose up in front of us, spread out in the form of crimson
pancakes and enveloped the plane in an impenetrable crimson cocoon. To the
credit of our pilot, it must be said, he did not falter but continued to fly
as if nothing had happened: if it's got to be a cocoon, then let it be one!
An ominous silence set in in the cabin. Everyone expected something to
happen, glanced from one to the other, and feared to speak at all. The red
fog seeped through the walls. Nobody could figure out how that could be. It
would seem that no material barriers existed, or that it was nonmaterial,
illusory, existing only in one's imagination. But it soon filled the cabin
and only strange crimson spots revealed the passengers in front or behind.
"Do you know what this's all about," I heard the voice of Lysovsky from the
other side of the aisle. "You don't happen to feel as if someone were
looking into your brain and going right through you, do you?" That was my
question in reply to his question. He was silent for a moment probably
trying to figure out whether I was going mad from fear, and then added
hesitatingly: "Nn-o, I don't think so." Then somebody next to him said:
"It's just a fog, that's all." I didn't think so either. What was happening
in the plane didn't at all resemble the sensations in the tractor and in the
tent. In the former case somebody or something peered deep inside me, probed
imperceptibly in my body as if determining the arrangement and number of
particles that make up my bioessence, in this way reproducing a model of me;
in the latter case, the process had stopped half way, as if the creator of
the model knew that my model had already been made. I was now surrounded by
a fog, crimson-like, just as opaque as turbid water in a jar, neither cold
nor warm and totally imperceptible, for it did not smart my eyes nor tickle
the nose. It coursed round me and did not even appear to touch the skin,
then it gradually melted or floated away. I soon began to see hands,
clothes, the seats and people sitting in them nearby. Then I heard a voice
from behind:
"How long did that take? Did you notice?" "No, I didn't look at my
watch, I don't know." Neither did I know, it might have been three or
perhaps ten minutes.
This was when we saw something still more bizarre. Squint, pressing
your eyes strongly on the lids, and objects will appear to double up,
producing, as it were, a copy that floats away out of the field of view.
That is what happened to all the things in the aircraft, everything in our
field of view. Not hazily, but very clearly, I saw-later I found out that
everyone saw the same thing-a duplicate of our cabin and all its contents
gradually separate itself-the floor, the windows, seats and passengers. It
rose half a meter and then floated off. I saw myself, Tolya and his guitar,
Lysovsky, and I noticed Lysovsky trying to grab his reproduction that was
floating away. All he got was the air. I saw the outside of the cabin, not
the inside; I saw the outer wall go right through the real wall, followed by
the wing that slipped through us like an enormous shadow of the aircraft.
Then all this vanished from view as if it had evaporated in the air. Yet it
did not vanish and it did not evaporate. We rushed to the windows and saw an
identical copy of our plane flying alongside, absolutely identical, just off
the production line, but it was no illusory machine because Lysovsky
collected his wits fast enough to take a photograph, which was published and
definitely showed the new plane to be a duplicate of our liner taken at a
distance of 10 metres.
Unfortunately, what happened later was not photographed. Lysovsky ran
out of film and I was late in getting to my camera, which had been stowed
away. This was the aerial wonder that was enacted before our eyes: a
familiar crimson cocoon enveloped the duplicate plane, elongated, growing
dark red, then violet and then melted away. Nothing remained-no plane, no
cocoon. Only the whitish wisps of cloud floating below us as before.
The chief pilot stepped out of the pilot's cabin a few minutes later
and asked shyly: "Perhaps someone can explain what occurred just now."
Nobody volunteered, he waited a moment and then added, with